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Proceedings of the International Conference on the Restructuring of Physical Sciences in Europe and the United States 1945-1960 Universita "LA Sapienza," Rome, Italy, 19-23 September 1988 World Scientific Pub Co Inc? International Conference on the Restructuring of Physical Sciences in? Mario Grilli? Michelangelo De Maria? Fabio Sebastiani? WorldScientificPubCoInc? InternationalConferenceontheRestructuringofPhysicalSciencesin? MarioGrilli? MichelangeloDeMaria? FabioSebastiani? ユーズドブック(洋書)-History? Subjects-History-Europe-Italy-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Physics-General? Subjects-Science-Reference-General? High Conductivity Solid Ionic Conductors Recent Trends and Applications World Scientific Pub Co Inc? International Conference on Solid State Ionics 1987 Garmisch-partenki? Takehiko Takahashi? WorldScientificPubCoInc? InternationalConferenceonSolidStateIonics1987Garmisch-partenki? TakehikoTakahashi? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-Physics-Solid-StatePhysics-General? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Proceedings of International Symposium on Heavy Ion Physics and Nuclear Astrophysical Problems Tokyo July 21-23, 1988 World Scientific Pub Co Inc? Japan) International Symposium on Heavy Ion Physics and Nuclear Astrophysical Problems (1988 Tokyo? M. Ishihara? S. Kubono? T. Nomura? WorldScientificPubCoInc? Japan)InternationalSymposiumonHeavyIonPhysicsandNuclearAstrophysicalProblems(1988 Tokyo? M.Ishihara? S.Kubono? T.Nomura? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-Radioactivity? Subjects-Science-Reference-General? 7th Topical Workshop on Proton-Antiproton Collider Physics World Scientific Pub Co Inc? Rajendran Raja? Alvin Tollestrup? John Yoh? WorldScientificPubCoInc? RajendranRaja? AlvinTollestrup? JohnYoh? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-MolecularPhysics? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Compact Riemann Surfaces and Algebraic Curves (Series in Pure Mathematics) World Scientific Pub Co Inc? Kichoon Yang? WorldScientificPubCoInc? KichoonYang? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics-MathematicalAnalysis? Schrodinger's Mechanics (World Scientific Lecture Notes in Physics) World Scientific Pub Co Inc? David B. Cook? WorldScientificPubCoInc? DavidB.Cook? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-Waves&WaveMechanics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Mechanics? Subjects-Science-Physics-Waves&WaveMechanics? Workshop on Electron Nucleus Scattering Eipc, Marciana Marina, Italy 7-15 June 1988 World Scientific Pub Co Inc? Workshop on Electron-Nucleus Scattering? S. Fantoni? S. Rosati? M. Viviana? A. Fabrocini? WorldScientificPubCoInc? WorkshoponElectron-NucleusScattering? S.Fantoni? S.Rosati? M.Viviana? A.Fabrocini? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Spinors in Physics and Geometry Trieste, 11-13 September 1986 World Scientific Pub Co Inc? A. Trautman? G. Furlan? WorldScientificPubCoInc? A.Trautman? G.Furlan? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-Physics-General? Physics of Superlattices and Quantum Wells 17-21 October 1988 Shanghai, China World Scientific Pub Co Inc? Tsai Chien-Hua? Xun Wang? Shen Xue Chu? Lei Xiao Lin? WorldScientificPubCoInc? TsaiChien-Hua? XunWang? ShenXueChu? LeiXiaoLin? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Mathematics + Physics Lectures on Recent Results World Scientific Pub Co Inc? L. Streit? WorldScientificPubCoInc? L.Streit? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Science-General Subjects-Science-Mathematics-MathematicalPhysics? Isotropy Subgroups of the 230 Crystallographic Space Groups World Scientific Pub Co Inc? Harold T. Stokes? Dorian M. Hatch? WorldScientificPubCoInc? HaroldT.Stokes? DorianM.Hatch? Substores-UnknownASINs-56? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Crystallography? Subjects-Science-EarthSciences-Crystallography? Subjects-Science-General Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Progress in Theoretical Physics 10th Annual Montreal Rochester Syracuse Toronto Meeting on High Energy Theory World Scientific Pub Co Inc? T. Barnes? B. Holdom? P. J. O Donnell? WorldScientificPubCoInc? T.Barnes? B.Holdom? P.J.O Donnell? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Trajectories and Rays The Path-Summation in Quantum Mechanics and Optics (World Scientific Lecture Notes in Physics) World Scientific Pub Co Inc? D. Mugnai? P. Moretti? M. Cetica? A. Ranfagni? WorldScientificPubCoInc? D.Mugnai? P.Moretti? M.Cetica? A.Ranfagni? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-QuantumTheory? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-QuantumTheory? Subjects-Science-Physics-Applied? Applied Dynamics of Ocean Surface Waves (Advanced Series on Ocean Engineering, V. 1) World Scientific Pub Co Inc? Chiang C. Mei? WorldScientificPubCoInc? ChiangC.Mei? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Professional&Technical-ProfessionalScience-Physics-Waves&WaveMechanics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Subjects-Science-Physics-Waves&WaveMechanics? Particles, Strings, and Supernovae Proceedings of the Theoretical Advanced Study Institute in Elementary Particle Physics Rhode Island, 1988 World Scientific Publishing? A. Jevicki? C. Tan? WorldScientificPublishing? A.Jevicki? C.Tan? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Cosmology? Metric Rigidity Theorems on Hermitian Locally Symmetric Manifolds (Series in Pure Mathematics, V. 6) World Scientific Pub Co Inc? Ngaiming Mok? WorldScientificPubCoInc? NgaimingMok? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Geometry&Topology-Topology? Metric Rigidity Theorems on Hermitian Locally Symmetric Manifolds (Series in Pure Mathematics, Vol 6) World Scientific Pub Co Inc? Mgaiming Mok? WorldScientificPubCoInc? MgaimingMok? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics-General? Light Scattering by Particles Computational Methods (Advanced Series in Applied Physics) World Scientific Pub Co Inc? P. W. Barber? S. C. Hill? WorldScientificPubCoInc? P.W.Barber? S.C.Hill? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Dynamics of Non-Linear Optical Systems Proceedings of the International Workshop, Santander, Spain, 24-27 October, 1988 World Scientific Pub Co Inc? Dynamics of Non-linear Optical Systems (2nd 1988 Santander, Spain) International Workshop? F. J. Bermejo? L. Pesquera? WorldScientificPubCoInc? DynamicsofNon-linearOpticalSystems(2nd 1988 Santander,Spain)InternationalWorkshop? F.J.Bermejo? L.Pesquera? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Light-General? Subjects-Science-Physics-Optics? Observational Neutrino Astronomy Proceedings of the Workshop on Extra Solar Neutrino Astronomy World Scientific Pub Co Inc? Workshop on Extra Solar Neutrino Astronomy? David Cline? WorldScientificPubCoInc? WorkshoponExtraSolarNeutrinoAstronomy? DavidCline? Substores-UnknownASINs-56? Subjects-Science-Experiments,Instruments&Measurement-Telescopes? Subjects-Science-General Subjects-Science-Astronomy-Astronomy? Braid Group, Knot Theory and Statistical Mechanics (Advanced Series in Mathematical Physics, Vol 9) World Scientific Pub Co Inc? C. N. Yang? M. L. Ge? WorldScientificPubCoInc? C.N.Yang? M.L.Ge? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Science-General Subjects-Science-Physics-Mechanics? Light Scattering by Particles Computational Methods (Advanced Series in Applied Physics, V. 2) World Scientific Pub Co Inc? P. W. Barber? S. C. Hill? WorldScientificPubCoInc? P.W.Barber? S.C.Hill? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Universal and Applied Algebra Proceedings of the 5th Universal Algebra Symposium Turawa Poland 3-7 May 1988 World Scientific Pub Co Inc? K. Halkowska? B. Stawski? WorldScientificPubCoInc? K.Halkowska? B.Stawski? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-General? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-Algebra-General? Proceedings of the Summer Study on High Energy Physics in the 1990S, June 27-July 15, 1988, Snowmass, Colorado World Scientific Pub Co Inc? Sharon Jensen? WorldScientificPubCoInc? SharonJensen? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-Energy? Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Reference-General? Proceedings of the International Conference on Science in Europe 40th Anniversary of UNESCO Foundation Trieste, Italy 8-11 December, 1986 World Scientific Pub Co Inc? E. Amaldi? G. Ghirardi? WorldScientificPubCoInc? E.Amaldi? G.Ghirardi? Substores-UnknownASINs-56? Subjects-Science-General 8th Italian Conference on General Relativity and Gravitational Physics Cavalese (Trento August 30-September 3, 1988) World Scientific Pub Co Inc? Italy) Italian Conference on General Relativity and Gravitational Physics (8th 1988 Cavalese? R. Cianci? M. Francaviglia? M. Cerdonio? M. Toller? WorldScientificPubCoInc? Italy)ItalianConferenceonGeneralRelativityandGravitationalPhysics(8th 1988 Cavalese? R.Cianci? M.Francaviglia? M.Cerdonio? M.Toller? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Relativity? Stochastic Complexity in Statistical Inquiry (Series in Computer Science) World Scientific Pub Co Inc? Jorma Rissanen? WorldScientificPubCoInc? JormaRissanen? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-StochasticModeling? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Substores-UnknownASINs-jp-unknown3? Neurobiology of Learning and Memory (World Scientific Advanced Series in Neuroscience Vol. 2) World Scientific Pub Co Inc? Gordon L. Shaw? James L. McGaugh? WorldScientificPubCoInc? GordonL.Shaw? JamesL.McGaugh? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-56? Subjects-Health,Mind&Body-MentalHealth-General? Subjects-Medicine-InternalMedicine-Neurology-Neuroscience? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-DevelopmentalBiology? Subjects-Science-Medicine-InternalMedicine-Neurology-Neuroscience? Superstrings 88 World Scientific Pub Co Inc? M. Green? M. Grisaru? Et Al? WorldScientificPubCoInc? M.Green? M.Grisaru? EtAl? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Workshop on Diquarks, Villa Gualino, Torino October 24-26, 1988 World Scientific Pub Co Inc? Mauro Anselmino? Enrico Predazzi? WorldScientificPubCoInc? MauroAnselmino? EnricoPredazzi? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Holography and Speckle Phenomena and Their Industrial Applications Proceedings of the International Workshop December 12-17 1988 World Scientific Pub Co Inc? Rajpal S. Sirohi? WorldScientificPubCoInc? RajpalS.Sirohi? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Science-General Subjects-Science-Physics-Light-Lasers? Subjects-Science-Physics-Applied? Science of Superconductivity and New Materials Proceedings of the Tokai University International Workshop, Tokyo, Japan, 14-16 Nov. 1988 (Progress) World Scientific Pub Co Inc? Tokai University International Workshop on the Science of superconduct? Tokai Daigaku? Sadao Nakajima? WorldScientificPubCoInc? TokaiUniversityInternationalWorkshopontheScienceofsuperconduct? TokaiDaigaku? SadaoNakajima? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Electrical&Electronics-Superconductivity? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Superconductivity? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Subjects-Science-Physics-Solid-StatePhysics-Superconductivity? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-Electricity? Subjects-Science-Technology-General&Reference Topical Conference on Electronuclear Physics With Internal Targets, 9-12 January, 1989 Stanford Linear Accelerator Center Stanford, California World Scientific Pub Co Inc? Topical Conference on Electronuclear Physics With Internal Targets? Raymond G. Arnold? WorldScientificPubCoInc? TopicalConferenceonElectronuclearPhysicsWithInternalTargets? RaymondG.Arnold? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Reference-General? Plasma Physics and Controlled Thermonuclear Fusion Proceedings of the Workshop (Cif Series, Vol 12) World Scientific Pub Co Inc? Latin American Workshop on Plasma Physics and Controlled thermonuclear? R. Krikorian? WorldScientificPubCoInc? LatinAmericanWorkshoponPlasmaPhysicsandControlledthermonuclear? R.Krikorian? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-PlasmaPhysics? Physical Properties of High Temperature Superconductors I World Scientific Pub Co Inc? Dm Ginsberg? WorldScientificPubCoInc? DmGinsberg? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Science-General Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? International Conference on Singular Behavior and Nonlinear Dynamics World Scientific Pub Co Inc? Greece) International Conference on Singular Behavior and Nonlinear Dynamics (1988 Samos? Tassos Bountis? Spyros N. Pnevmatikos? WorldScientificPubCoInc? Greece)InternationalConferenceonSingularBehaviorandNonlinearDynamics(1988 Samos? TassosBountis? SpyrosN.Pnevmatikos? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Physics? Algebra, Analysis, and Geometry Proceedings of the Symposium in Honor of Chen-Jung Hsu and Kung-Sing Shih. National Taiwan University 27-29 June 19 World Scientific Pub Co Inc? Chen-Jung Hsu? Ming-Kang Chang? Kung-Sing Shih? Ming-Chang Kang? Ko-Wei Lih? WorldScientificPubCoInc? Chen-JungHsu? Ming-KangChang? Kung-SingShih? Ming-ChangKang? Ko-WeiLih? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Geometry&Topology? Quark-Gluon Plasma (Advanced Series on Directions in High Energy Physics) World Scientific Pub Co Inc? Rudolph C. Hwa? WorldScientificPubCoInc? RudolphC.Hwa? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-Energy? Subjects-Science-Physics-General? Proceedings of the International Summer School on Heavy Ion Reaction Theory, Lanzhou, China 10-18 August 1988 World Scientific Pub Co Inc? International Summer School on Heavy Ion Reaction Theory? J. Y. Liu? W. Q. Shen? L. X. Ge? Chung-Kuo Ko Hsueh Yuan TI Li Yen Chiu So? Chung-Kuo Yuan Tzu Neng Ko Hsueh Yen Chiu Yuan? Lan-Chou Ta Hsueh? WorldScientificPubCoInc? InternationalSummerSchoolonHeavyIonReactionTheory? J.Y.Liu? W.Q.Shen? L.X.Ge? Chung-KuoKoHsuehYuanTILiYenChiuSo? Chung-KuoYuanTzuNengKoHsuehYenChiuYuan? Lan-ChouTaHsueh? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-General? Symmetry Violations in Subatomic Physics Proceedings of the Sixth Institute in Theoretical Physics Kingston, Canada 18-29 July 1988 World Scientific Pub Co Inc? B. Castel? P. J. O Donnell? WorldScientificPubCoInc? B.Castel? P.J.O Donnell? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-Applied? Subjects-Science-Physics-Energy? Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Integrable Models (World Scientific Lecture Notes in Physics, Vol. 30) World Scientific Pub Co Inc? Ashok Das? WorldScientificPubCoInc? AshokDas? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Physics-Applied? Progress in Medium Energy Physics Proceedings of the Chinese-German Symposium on Medium Energy Physics National Taiwan University, Republic of Chin World Scientific Pub Co Inc? Chinese-German Symposium on Medium Energy Physics? W. Y. Pauchy Hwang? Josef Speth? Deutsche Forschungsgemeinschaft? WorldScientificPubCoInc? Chinese-GermanSymposiumonMediumEnergyPhysics? W.Y.PauchyHwang? JosefSpeth? DeutscheForschungsgemeinschaft? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-Energy? Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? The Almighty Chance (World Scientific Lecture Notes in Physics) World Scientific Pub Co Inc? Ya B. Zeldovich? A. A. Ruzmaikin? D. D. Sokoloff? WorldScientificPubCoInc? YaB.Zeldovich? A.A.Ruzmaikin? D.D.Sokoloff? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Physics? Teaching Modern Physics Condensed Matter Proceedings International Conference Universitat Munchen, September 12Th-16th 1988 World Scientific Pub Co Inc? Karl Luchner? H. Deger? R. Dengler? R. Worg? WorldScientificPubCoInc? KarlLuchner? H.Deger? R.Dengler? R.Worg? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Geometry of Spherical Space Form Groups (Series in Pure Mathematics) World Scientific Pub Co Inc? Peter B. Gilkey? WorldScientificPubCoInc? PeterB.Gilkey? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Physics Imagination and Reality World Scientific Pub Co Inc? Philip R. Wallace? WorldScientificPubCoInc? PhilipR.Wallace? Substores-UnknownASINs-56? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Physics? Physics Imagination and Reality World Scientific Pub Co Inc? Philip R. Wallace? WorldScientificPubCoInc? PhilipR.Wallace? Substores-UnknownASINs-56? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Physics-General? Third International Conference on Path Integrals from Mev to Mev Bangkik, 9-13 January 1989 World Scientific Pub Co Inc? Virulh Ka-Yaknait? WorldScientificPubCoInc? VirulhKa-Yaknait? Substores-UnknownASINs-56? Subjects-Science-General Subjects-Science-Mathematics? Subjects-Science-Physics-Energy? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Cosmology? Applications of the Mossbauer Effect Proceedings of the First Latin-American Conference, Rio De Janeiro, 31 Oct-4 Nov 1988 World Scientific Pub Co Inc? E. Baggio-Saitovitch? E. Galvao Da Silva? H. R. Rechenberg? WorldScientificPubCoInc? E.Baggio-Saitovitch? E.GalvaoDaSilva? H.R.Rechenberg? Substores-UnknownASINs-56? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Analytic? Subjects-Science-General Subjects-Science-Physics-Spectroscopy-General? The Zoogeography of Israel The Distribution and Abundance at a Zoogeographical Crossroad (Monographiae Biologicae) Dr W Junk Pub Co? Y. Yom-Tov? DrWJunkPubCo? Y.Yom-Tov? ユーズドブック(洋書)-Medicine? Subjects-History-MiddleEast-Israel? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-General 洋書
https://w.atwiki.jp/hitler/pages/32.html
映画「ヒトラー ～最期の12日間～」でよく使われているシーンにおいて、 そのシーンは「本来どんな内容で、何と言っているか」をまとめたものです。 性質上、ドイツ語セリフの日本語訳においてネット翻訳の使用は不適です。 いつものシーンいつものシーン ドイツ語原文 いつものシーン 日本語訳 総統とコラーの電話総統とコラーの電話 ドイツ語原文 総統とコラーの電話 日本語訳 第一回目会議第一回目会議 ドイツ語原文 第一回目会議 日本語訳 ヒトラーとシュペーアヒトラーとシュペーア ドイツ語原文 ヒトラーとシュペーア 日本語訳 ゲーリング、総統を怒らせるゲーリング、総統を怒らせる ドイツ語原文 ゲーリング、総統を怒らせる 日本語訳 ヒトラーの会議ヒトラーの会議 ドイツ語原文 ヒトラーの会議 日本語訳 シュペーアの辞去シュペーアの辞去 ドイツ語原文 シュペーアの辞去 日本語訳 ヒトラーの食事シーンヒトラーの食事シーン ドイツ語原文 ヒトラーの食事シーン 日本語訳 ゲッベルスの怒りゲッベルスの怒り ドイツ語原文 ゲッベルスの怒り 日本語訳 いつものシーン このシーンはベルリンが包囲されつつある中、「フェリックス・シュタイナー武装親衛隊大将に出したはずの攻撃命令が実行されていない」と聞き、閣下がブチ切れるものです。 この時、シュタイナーの手元には歩兵ばかりで僅か二千程度なのに対し、相手のジューコフの兵力は各種の兵科で百万。無理ゲーにもほどがある。 いつものシーン ドイツ語原文 Kerbs Es ist dem Feind gelungen, die Front in breiter Formation zu durchbrechen! Im Süden hat der Gegner Zossen genommen und stösst auf Stahnsdorf vor. Der Feind operiert am nördlichen Stadtrand zwischen Frohnau und Pankow, und im Osten, der Feind hat an der Linie Lichtenberg, Mahlsdorf, Karlshorst gelangt. Hitler Mit dem Angriff Steiners wird das alles in Ordnung kommen! Kerbs Mein Führer ... Steiner ... Jodl Steiner konnte nicht genügend Kräfte für einen Angriff massieren! Der Angriff Steiners ist nicht erfolgt. Hilter Es bleiben im Raum Keitel, Jodl, Krebs und Burgdorf. Hitler Das war ein Befehl! Der Angriff Steiners war ein Befehl! Wer sind Sie, dass Sie es wagen, sich meinen Befehlen zu widersetzen?!! So weit ist es also gekommen ... Das Militär hat mich belogen! Jeder hat mich belogen, sogar die SS! Die gesamte Generalität ist nichts weiter als ein Haufen niederträchtiger, treuloser Feiglinge! Burgdorf Mein Führer, ich kann nicht zulassen, dass die Soldaten die für Sie verbluten... Hitler Sie sind Feiglinge! Verräter! Versager! Burgdorf Mein Führer, Was Sie da sagen, ist ungeheuerlich! Hitler Die Generalität ist das Geschmeiss des deutschen Volkes! Sie ist ohne Ehre! Sie nennen sich Generale, weil Sie Jahre auf Militärakademien zugebracht haben nur um zu lernen, wie man Messer und Gabel hält! Jahrelang hat das Militär meine Aktionen nur behindert! Es hat mir jeden nur erdenklichen Widerstand in den Weg gelegt! Ich hatte gut daran getan, vor Jahren alle höheren Offiziere liquidieren zu lassen, wie Stalin! Hitler Ich war nie auf einer Akademie. Und doch habe ich allein, allein auf mich gestellt, ganz Europa erobert! Verräter! Von allem Anfang an bin ich nur verraten und betrogen worden! Es wurde ein ungeheurer Verrat geübt am deutschen Volke! Aber alle diese Verräter werden bezahlen! Mit ihrem eigenen Blut werden sie zahlen! Sie werden ersaufen in ihrem eigenen Blut! Junge Bitte, Gerda, jetzt beruhig dich doch. Hitler Meine Befehle sind in den Wind gesprochen. Es ist unmöglich, unter diesen Umständen zu führen. Es ist aus. Hitler Der Krieg ist verloren. Hitler Aber wenn Sie, meine Herren, glauben, dass ich deswegen Berlin verlasse, irren Sie sich gewaltig! Eher jage ich mir eine Kugel in den Kopf! Hitler Tun Sie, was Sie wollen. いつものシーン 日本語訳 クレープス「敵軍は広範囲で陣を突破し前進しております。 南部ではツォッセンを占拠し、シュターンスドルフに進軍しております。 北部ではフローナウとパンコーの郊外で行動しており、 東部ではリヒテンベルグ・マールスドルフ・カルルスホルストの線にまで到達しました」 ヒトラー「シュタイナーの攻撃で平穏を取り戻すだろう」 クレープス「総統閣下……。シュタイナーは…」 ヨードル「シュタイナーは攻撃のための兵力を集めることができませんでした。 シュタイナーは攻撃を実行していません」 ヒトラー「…以下の者は残れ。カイテル、ヨードル、クレープス、ブルクドルフ」 ヒトラー「命令しただろうが！ シュタイナーに攻撃しろと命令しただろうが！ 一体、どこの誰が、私の命令に背いたのだ！ その結果がこれだ。 軍は私を欺きやがった！ 誰もが私を欺いた、親衛隊もだ！ 将軍どもはくそったれ以下、下劣で不届きな臆病者だ！」 ブルクドルフ「閣下、承服できません、兵はあなたのために血を流し…」 ヒトラー「貴様らは臆病者だ！裏切り者だ！失敗者だ！」 ブルクドルフ「閣下、いくらあなたと言えども言い過ぎです！」 ヒトラー「将軍どもはドイツの国民の中のクズだ！」 ヒトラー「恥さらしだ！」 ヒトラー「貴様ら、将軍などと呼ばれているが、士官学校で歳ばかり取りやがって！ 覚えたのはナイフとフォークの持ち方だけだ！ 常に軍は私の邪魔ばかりしやがって！ 考え付く限りの手段で妨害しやがって！ 私もやっておくべきだった！ 高級士官どもを粛清すればよかった、スターリンのようにな！」 ヒトラー「私は大学を卒業してはいない。 だが私は、一人の力でやってやった、全ヨーロッパの征服を！ 裏切り者ども… 私は始めから裏切られ、騙されてきただけなのだ！ ドイツ人民への恐るべき背信行為だ！ だが裏切り者には報いが来る。 お前らの血で購うのだ。 お前ら自身の血で溺れ死ぬのだ！」 ユンゲ「ゲルダ、落ち着いてちょうだい」 ヒトラー「私の命令は風の囁きのようなものだ。 この状況で、指揮することはできない。 終わりだ。 この戦争は負けだ。 だが諸君、私がベルリンを離れると思うならそれは大きな間違いだ。 その前に、自身の頭を撃ち抜く！」 ヒトラー「後は好きにしろ」 総統とコラーの電話 このシーンはベルリンに向けて飛んできた砲撃についてコラーに問い合わせたら、ソ連軍が目の前まで迫っているとわかり、クビだと言いつける場面です。 "Zoo Bunker"はティーアガルデン公園内の動物園にあった、高射砲塔付の防空壕。ベルリンでも随一の高さを持っていた。現在は解体されて残っていない。 総統とコラーの電話 ドイツ語原文 Hitler Burgdorf was ist los? Woher kommt die Schießerei? Burgdoorf Mein Führer, darf ich Ihnen zum Geburtstag gratulieren? Mein Führer, das Zentrum von Berlin steht unter Artilleriebeschuss! Granaten sind in dichter Folge am Brandenburger Tor, am Reichstag und bis hin zum Bahnhof Friedrichstraße eingeschlagen! Hitler Von wo kommt der Beschuss? Burgdorf Mein Führer, wir haben noch keine Meldung! Ich spreche grad mit Koller. Hitler Koller! Geben Sie mir Koller. Hitler Koller! Sie wissen, dass Berlin unter Artilleriefeuer liegt? Koller Nein! Hitler Das Sagen Sie! Hören Sie den Beschuss nicht? Koller Nein, ich bin in Wildpark Werder! Hitler Riesige Aufregung in der Stadt! Die Russen sollen eine Eisenbahnbrücke über die Oder haben! Koller Der Feind hat keine Eisenbahnbatterie an der Oder. Koller Es handelt sich hier nicht um Fernfeuer! Der Divisionsgefechtsstand der Flak am Zoo Bunker meldet, dass es sich hier... um Geschütze nur des Kalibers 10 bis 12 Zentimeter handelt. Die russische Batterie ist bei Marzahn in Stellung gegangen. Hitler Das sind ja nur 12 km bis zum Stadtkern! Ist der Russe schon so nah? Man müsste die ganze Luftwaffenführung sofort aufhängen! Hitler Das ist unerhört! Unerhört! Das Russe steht zwölf kilometer vorm Stadkern! Und ich erfahre das so zusagen auf Nachfrage! Krebs Mein Fühler, vielleicht handelt es sieh ja wirklich um Fernfeuer! sie erwäfnten eine Eisenbahnbrüke über die Oder! Hitler Ach, Unsinn!! 総統とコラーの電話 日本語訳 ヒトラー「ブルクドルフ、どうした？どこかで射撃でもしているのか？」 ブルクドルフ「閣下、私はこんな誕生日を祝福できるでしょうか？ 閣下、ベルリンの中心に向かって砲撃です！ 砲撃はブランデンブルグ門や議事堂、フリードリッヒ通り駅を破壊しました」 ヒトラー「どこからの砲撃だ！？」 ブルクドルフ「閣下、私たちにはまだわかりません。今コラーに電話をかけたところです」 ヒトラー「コラーか！私にコラーと会話させろ！」 ヒトラー「コラー！お前、ベルリンが砲撃下なのを知っているだろうな？」 コラー「いいえ！」 ヒトラー「何言っているんだ！攻撃の音が聞こえないのか？」 コラー「いえ！私、今ヴェルダーのヴィルドパークにいるんですけど」 ヒトラー「市街地じゃ大騒ぎだ！ ソ連軍はオーデル川に架かる鉄橋を抑えたのだぞ！」 コラー「敵はオーデル川に列車砲を置いていませんが」 コラー「これは短距離砲によるものです！ツォー防空所からの報告によりますと 10~12cmの口径のものです。ソ連軍はマルツァーン付近から攻撃しております」 ヒトラー「中心部から12Kmの位置じゃないか！ ソ連軍はすでにそこまで近くに？ 空軍の全指揮官は今すぐクビだ！」 ヒトラー「これは失態だ！大失態だ！ ソ連軍が中心部から12kmにいるんだ！ ワシは気に入らん問い合わせなど知らん！」 クレープス「閣下、それは遠距離砲撃の見間違いではないでしょうか！ 彼らはオーデル川に列車砲を置いているはずです！」 ヒトラー「くだらん！」 第一回目会議 このシーンは、ベルリンに迫るソ連軍にドイツ第9軍（テオドール・ブッセ大将指揮）が包囲されてしまったために、その対処について会議するシーンです。 ここでシュタイナーに攻撃させる作戦が考えられたのだが、どうなったかは上記の通り。第12軍（ヴァルター・ヴェンク大将指揮）もそんな余裕なんてない…。 このシーンは２パターン存在する。というのも、原作「Der Untergang」ではあまりにも過激な表現があったりして危ないということもあり、作られた模様。 第一回目会議 ドイツ語原文 Keitel Auch auf die Gefahr hin, mich zu wiederholen, die neunte Armee muss zurückgenommen werden, sonst wird sie eingekesselt und aufgerieben! Wir müssen sofort... Hitler Die neunte Armee wird nicht zurückgenommen! Sagen sie Busse, er soll kämpfen, wo er steht! Jodl Mein Führer! Dann ist die neunte Armee verloren! Hitler Wir werden die im Norden und Osten bis und den äußeren Verteidigungsring vorstoßenden Sowjetverbände in einem rücksichtslosen, mit aller Kraft geführten Gewaltschlag zurückwerfen! Jodl Mit welchen Kräften, Mein Führer? Hitler Die Gruppe Steiner wird von Norden her angreifen und sich mit der neunten Armee vereinigen! Kerbs Die neunte Armee ist nach Norden bewegungsunfähig! Die Feindkräfte übersteigen unsere Mannschaften um ein zehnfaches! Hitler Wenck Soll mit der zwölften Armee die Sache unterstützen. Jodl Aber mein Führer, die zwölften Armee marschiert nach Westen richtung Elbe! Hitler Dann soll die Armee eben kehrt machen! Jodl Dann entblößen wir die Westfront! Hitler Haben Sie noch Zweifel an meinem Befehl?! Ich glaube, ich habe mich klar genug ausgedrückt! Hitler Ich bin mit mir ins Reine gekommen. Ich bleibe in der Hauptstadt. Alle Mein Führer, bla bla bla bla.... Hitler Es kann und darf nicht sein... dass diese kulturlosen Bestien Europa überschwemmen! Ich bin das letzte Bollwerk gegen diese Gefahren! Der Kampf um Berlin ist die deutsche Schicksalsschlacht! Goebbels Allein in Berlin lässt sich ein moralischer Welterfolg erzielen. Wenn dem Führer der Tod bestimmt sein sollte, muss er das Ende in denTrümmern des Hauptstadt suchen! Nichts anderes ist er der Treue zu seiner weltgeschichtlichen Aufgabe... und seinem historischen Rang schuldig! Hitler Ah! Mohnke! Sie sind da! Mohnke Mein Führer! Hitler Ich habe heute "Fall Clausewitz" ausgegeben. Berlin wird Frontstadt. Sie übernehmen als Kampfkommandant die Sicherung des Regierungsviertels. Mohnke Mein Führer, wenn es in Berlin zur Schlacht kommt, wir werden kämpfen bis zum letzten Mann! Aber es sind noch über drei Millionen Zivilisten in der Stadt, die müssen evakuiert werden! Hitler Ich verstehe Ihre Bedenken, Mohnke! Aber wir müssen auch da eiskalt sein! Wir können jetzt keine Rücksicht auf sogenannte Zivilisten nehmen! Mohnke Mein Führer, bei allem gebotenen Respekt, gestatten Sie die Frage was soll aus den Frauen und Kindern werden, den tausenden von Verletzten und den Alten? Hitler In einem Krieg wie diesem gibt es keine Zivilisten! 第一回目会議 日本語訳 カイテル「危険です、繰り返しますが第9軍は撤退させるべきです。そうでなければ包囲殲滅されます！すぐに命令を！」 ヒトラー「第9軍の撤退はならん！ブッセ司令官に、現在位置で戦うことを要求せよ！」 ヨードル「閣下！第9軍を失うわけにはいきません！」 ヒトラー「我々は北と東でのソ連軍の突撃に対する防衛においてうまくいっている。容赦ない攻撃で押し戻せばよいのだ」 ヨードル「どの部隊が行いますか、閣下？」 ヒトラー「シュタイナー軍集団が北から攻撃すればよい、そこへ第9軍を向かわせろ」 クレープス「第9軍の北上は無理でしょう。敵は10倍もの兵力を持っています」 ヒトラー「ヴェンクの第12軍に支援をさせろ！」 ヨードル「ですが閣下。第12軍はエルベ川に向かい西へ移動しています」 ヒトラー「なら引き返させればいいだろうが！」 ヨードル「西が無防備になります」 ヒトラー「ワシの命令に疑問か？ワシは明確に説明したはずだぞ！」 ヒトラー「ワシは腹を決めた。首都にとどまる」 一同「閣下、なりません」 ヒトラー「ヨーロッパを野蛮な野獣どもで溢れさせるわけにはいかん！私が危険に対する最後の砦、 ベルリンの戦いはドイツの運命の杭なのだ」 ゲッベルス「ベルリンは道徳の砦、閣下が死す定めの時は首都が瓦礫となるときだ！ 彼は世界史的使命に忠実で、歴史的義務のために！」 ヒトラー「おお、モーンケ、そこにいたか！」 モーンケ「閣下！」 ヒトラー「ワシは今日『クラウセヴィッツの場合』を発令する。ベルリンが前線都市だ。政府管轄地区の1/4の指揮を引き継げ」 モーンケ「閣下！ベルリンで最後の一兵となるまで戦ってみせます！ですが、都市に住む300万の民間人は避難させねばなりません！」 ヒトラー「その懸念は分かる、モーンケ。だが我々は冷酷でなくてはならん！我々は今、民間人に配慮する余裕は無い！」 モーンケ「恐れながらお尋ねいたします。女や子供はどうなります？数千もの負傷者や老人は？」 ヒトラー「戦場に民間人など存在しない」 ヒトラーとシュペーア ヒトラーとシュペーア ドイツ語原文 hitler wohin immer der Feind vordringt,er soll nur noch eine wüste vorfinden! speer Das ist das Todesurteil für das deutsche Volk! Kein Strom, kein Gas, kein sauberes Wasser, keine kohle, kein Verkehr Alle Bahnanlagen, Kanäle, Docks,Scheusen,Schiffe,Lokomotiven, all das zu zerstören, würde unser Land zurückschleudern ins Mittelalter! Mit diesem Befehl rauben Sie dem Volk jegliche Überlebenschance! hitler Wenn der Krieg verloren geht,ist es wurscht,wenn auch das Volk verlonen geht. Es ist nicht notwedig auf die Grundlagen,die das deutches Volk,zu seinem primitivesten Weiterleben braucht, Rücksicht zu nehmen Gegenteil, es ist besser diese Dinge selbst zu zerstören! Denn das Volk hat sich als das Schwächere erwiesen, und es ist nur ein Naturgesetz, dass es daneben ausgerottet wird! spper Es ist Ihr Volk! sie sind der Führer! hitler Was nach diesem kampf übrig bleibt, sind ohnehin nur die Minderwertigen,denn die guten sind gefallen! ヒトラーとシュペーア 日本語訳 ヒトラー「例えどこへ敵が進撃しても、たださらなる焦土と化すべきだ！」 シュペーア「それはドイツ国民への死刑宣告です！ 電気も、ガスも、きれいな水も、石炭も、交通もない 全ての鉄道施設、運河、ドック、水門、船、機関車、それらすべてを破壊すれば 我が国は中世に逆戻りしてしまいます！ あなたが下そうとしている命令は、人々から生き残る機会を奪うことになります！」 ヒトラー「この戦争が負けならば、国民が失われても知ったことではない。 国民が原始的生活を送るために必要なインフラなど考えなくていい、逆に自ら破壊すべきだ！ 人々は自らが弱者であることを証明した。彼らが絶滅させられるのは自然の摂理なのだ」 シュペーア「あなたの国民です！あなたが指導者なんですよ！」 ヒトラー「この戦いの後にはどうせ劣った者しか残らん、優秀な者はみな倒れてしまったのだからな」 ゲーリング、総統を怒らせる このシーンは、ゲーリングから来た「包囲されてて指揮とれないでしょ？総統の座ちょうだい？」という 内容の電報を聞いて、総統が超許さんと言わんがばかりに激怒するシーンです。 このクビ命令により、本来後継者になるはずだったゲーリングが脱落。副総統であったルドルフ・ヘスも、1941年に単独で和平交渉にイギリスへ飛び、彼の地で捕虜になっていた。さらにこの時ヒムラーは敵と内通。こうなると総統の後継者は党内におらず、ヒトラーは後継者としてデーニッツ元帥を大統領に任命することになる。 ゲーリング、総統を怒らせる ドイツ語原文 Bormann Telegram von Göring. Hitler Ja. Bormann Er schreibt... "Mein Führer! Sind Sie einverstanden, dass ich nach ihrem Entschluss, in der Festung Berlin zu verbleiben, als Ihr Stellvertreter sofort die Gesamtführung des Reiches übernehme, mit voller Handlungsfreiheit, nach innen und aussen? Falls bis 22 Uhr keine Antwort erfolgt, nehme ich an, dass Sie Ihrer Handlungsfreiheit beraubt sind. Ich werde dann zum Wohle von Volk und Vaterland handeln." Das is Landesverrat, und verrät an Ihren Person. Hewel Görings Sorge ist nicht unberechtigt. Wenn unsere Kommunikationssysteme zusammenbrechen, und das kann stündlich geschehen, dann... sind wir in der Tat von der Welt abgeschnitten. Befehle und Anweisungen können dann nicht mehr übermittelt werden. Goebbels Ich sehe das anders. Göring will die Macht an sich reissen! Diese Miesepeter, die sich am Obersalzberg um ihn rottet, war mir noch nie geheuer. Das riecht nach Putsch! Hitler Dieser Versager, dieser Schmarotzer! Ein Parvenü, ein Faulpelz! Wie kann er es wagen, mich als handlungsunfähig zu erklären?! ..... Speer Guten Tag, Frau Junge. Junge Herr Speer. Wie sind Sie nach Berlin reingekommen? Speer Einfach war es nicht. Aber ich muss noch einmal zum Führer. Linge An Ihrer Stelle würde ich lieber warten. Hitler Die Luftwaffe! Was hat er aus das gemacht? Allein dafür müsste man ihn wegstellen! Dieser Morphinist hat die Korruption in unserem Staat möglich gemacht! Und jetzt das! Verrät an meiner Person! An meiner Person! Ich will dass Göring sofort entmachtet wird, und alle Ämter aufgeben. Für den Fall, dass ich den Krieg nicht überstehen, ist der Mann auf der Stelle hinzurichten. ゲーリング、総統を怒らせる 日本語訳 ボルマン「ゲーリングから電報です」 ヒトラー「読め」 ボルマン「内容は…『閣下、私は閣下のベルリン残留の決断に同意いたします 帝国の代表としての全指揮権を内外双方において私に移譲してくださいますか？ 22時までに返答なき場合は、あなたは指揮不能であるとみなし 私が国と人のために行動する所存です』... つまり、これは彼による裏切りです」 ヘーヴェル「ゲーリングの懸念ももっともだ。もしこちらの通信システムがダメになってしまったら… ここは陸の孤島となる。命令や指示も通達できない」 ゲッベルス「私にはそうには見えない。ゲーリングは権力を掌握するつもりだ。 オーバーザルツブルグの彼の周りには不満分子が集まっている、私に誤りはない。これはクーデターだ！」 ヒトラー「この失敗者の寄生虫が！成金の怠け者が！なぜ奴は私の言う通りにしない！？」 シュペーア「こんにちは、ユンゲさん」 ユンゲ「シュペーアさん...どうやってベルリンに？」 シュペーア「簡単ではなかった。閣下に言いたいことが」 リンゲ「もうしばしお待ちを」 ヒトラー「空軍で彼は何を成功させた？！奴は一人で処罰されるべきだ！ この麻薬中毒者はワシの下でずっと腐り続けた！ 挙句に、このワシを裏切った！ワシを裏切った！！ 私はゲーリングのすべての職と権限を剥奪する。 もしワシが戦争で死んだとしてもだ、奴は即刻死刑だ」 ヒトラーの会議 ヒトラーの会議 ドイツ語原文 Hitler In berlin sieht es schlimmer aus, als es ist. Die Divisionen müssen auf jede Weise aufgefüllt werden. zur Not mitb Zivilisten! Goebbels Wenn die Sowjets vor Berlin Zurückge schlangen werden, so wäre das ein großes Beispiel. Die ganze Welt würde aufhorchen. Hitler Wenn es Wirklich stimmt ... dass in San Francisco unter den Alliierten Differenzen entstehen, und sie werden entstehen ... ...dann kann eine Wende doch nur eintreten wenn ich dersem maßlos gewordenen, proletarisch bolschewistischen Koloss entgegentrete. Schlage ich hier erfolgreich und halte ich die Hauptstadt, dann kommen die anderen doch zu der Überzeugung, dass es nur einer sein kann, der den Bolschewiken Einhalt zu gebieten in der Lage ist Und das bin ich! Wenn ich diese Schlacht gewinne, dann verspreche ich mir davon nicht für meinen persönlichen Namen,nicht für meinen persönlichen Ruhm, es ist für die Geschichte! Goebbels Geht die Sache gut, ist es sowieso gut. Geht sie nicht gut, wird Europa bolschewistische werden. In fünf Jahren spätestens wäre der führer eine legendä Persönlichkeit und der Nationalso zialismus ein Mythos, weil er durch den letzten großen Einsatz geheiligt wäre. Alles Menschliche, dass man heute an uns kritisiert, das wäre dann mit einem Schlag abgewischt. Hitler Nur hier in Berlin nur hier kann alles gerettet werden. Und den letzten Mann dafür einzusetzen, das ist unsere Pflicht! ヒトラーの会議 日本語訳 ヒトラー「ベルリンの戦況は悪化する一方だ 師団はいかなる方法を使ってでも補充すべきだ 必要ならば民兵を使え！」 ゲッベルス「ベルリンの前でソ連軍を追い返せば、それは偉大な実例となる 全世界が聞き耳を立てる」 ヒトラー「サンフランシスコで起こった連合国同士の意見の違いが事実なら、それは起こりえることだ 労働者階級のボルシェビズムの巨人どもを踏み破ったその時こそ転換期となる 私が首尾よく首都の防衛に成功すれば、他の人々はそれがただ１例だと確信する ボルシェヴィキからこの場所を守れるのは、ワシだけだ」 ゲッベルス「もし事がうまくいけば、それはとにかく良いことだ。 彼らがうまくいかなければ、ヨーロッパはボルシェビヴィキと化すだろう 遅くても５年間、閣下は伝説の人となり、国家社会主義は神話となり、その神聖は最後の大きな努力によってなる 今、我々を批判する人間どもは一掃される」 ヒトラー「ベルリンを救う手はこれだけだ 最後の兵力を投入することだけだ」 シュペーアの辞去 このシーンは、いきなり押しかけてきたシュペーアとヒトラーが会話するシーンです。 シュペーアが閣下の焦土作戦命令を無視してきたことが明かされる。閣下の反応は…お察し。 本来、シュペーアは閣下の命令でデーニッツのもとへ身を寄せるはずだった。ここにきて彼がベルリンに戻ってきたことも含め、彼の本気がうかがえる。 シュペーアの辞去 ドイツ語原文 Bormann Speer. Der Fühler... Wenn sie mit dem sprechen,... Er wird sicher auf die Frage eingehen, ob wir hier in Berlin bleiben oder nach Berchtesgaden fliegen sollen! Sie werden ihn doch zureden abzufilegen, Herr Speer ? Er hört doch auf! Überzeugen Sie ihn, Herr Speer! Wenn er Berlin nicht verlässt, ist es aus! Die Bolschevicks werden uns allen den Hals umdrehen! Hitler Ja. Hitler So... Sie sind gekommen! Speer Mein Führer... Ich Hitler Es ist Gut. Setyen wir uns. Hitler Ich habe Großes vorgehabt mit den Deutchen wie mit der Welt. Keiner hat mich begriffen! Nicht einmal meine ältesten Mitkämpfer! Was hatten wir Für Möglichkeiten! Die Weltmacht lag zum Greifen nahe! Zu spät! Das Einzige, was ich mir zugute halten kann, ist, dass ich die Juden mit offenem Visier Bekämpft habe und dass ich den deutschen Lebensraum vom jüdischen Gift gesäubert habe! Es fällt mir leicht davon zu gehen. Nur dieser eine Augenblick ... und dann ewige Ruhe! Speer Aber schauen Sie doch das Volk,mein Fühler! Hitler Wenn mein eigenes Volk an dieser Prüfung zerbricht könnte ich darüber noch keine Träne weinen! Es hätte nichts anderes verdient! Es würde sein eigenes Schicksal sein, das es sich selbst zuzuschreiben hat! Speer Seit Monaten ... Ich muss es loswerden, mein Fühler... Seit Monaten habe ich Ihre Zerstörung Befehle ausgesetzt. Es gibt schriftliche Beweisstücke, wonach ich Ihre Befehle nicht missachtet, sondern ihnen auch zuwider gehandelt habe. Ich musste es Ihnen sagen! Meine persönliche Loyalität zu Ihnen hat dabei nie Schaden genommen! Hitler Also Sie Fahren? Gut! Auf Wiedersehen! Speer Ich wünsche Ihnen alles Gute! シュペーアの辞去 日本語訳 ボルマン「シュペーア。 閣下は…君が閣下と会えば…、 ベルリンに留まるか、ベルヒテスガーデンへ飛ぶかの話になるに違いない。 閣下が脱出するように説得してくれるか？閣下は留まるつもりだ。説得してくれ、シュペーア！ 閣下がベルリンを離れなければ終わりだ！ボルシェヴィキ共が我々の首を狙っているのだ！」 ヒトラー「ほう…よく来てくれた！」 シュペーア「閣下、私は」 ヒトラー「よい。まあ、座れ」 ヒトラー「ドイツと世界のための壮大な計画を私は持っていた。だが誰も理解しようとしなかった、長年の同志たちでさえ！ 我々は可能性を持っていた！列強に手が届きつつあったのだ！ だが遅すぎた！ 私の功績と呼べるものは公然とユダヤ人に立ち向かったこと、 ドイツ人の生存圏からユダヤの毒を排除したことだけだ！ 立ち去るのは容易な事だ。一瞬だけ…あとは永遠の休息だ」 シュペーア「ですが閣下、国民をご覧ください！」 ヒトラー「この試練によってわが国民が粉砕されたとしてそれを嘆くことは、私にはできないだろう。 それに値しない！これは彼らに課せられた運命だ！」 シュペーア「何か月もの間…清算しなくてはなりません、閣下…何か月もの間、私は閣下の焦土作戦を無視し続けてきました。 私があなたの命令に従わなかっただけでなく、命令に反する行動もしたことを示す、書面による証拠があります。 この事をお伝えしに来ました。 …閣下に対する私個人の忠誠心が損なわれたことは決してありません」 ヒトラー「もう行くのか？いいだろう。さらばだ！」 シュペーア「ご健勝を！」 ヒトラーの食事シーン このシーンは、ゲーリングの後任に呼び寄せたグライム将軍が怪我しつつもベルリンへ到着、空軍総司令官に任命して食事会していたらヒムラーが裏切ったという一報が入り、お怒りになるシーンです。 この時、デーニッツ海軍元帥はドイツ北部、キール近郊の海軍司令部に、ケッセルリンク空軍元帥はイタリア北部にて指揮を執っている。当然挟撃できるような戦力はない。 デーニッツへのヒムラー逮捕命令は届いたが、当の本人がそれを疑ったためか実行されていない。敗戦後、デーニッツはヒムラーの悪行を知ると「あの時に強引にでも捕まえておけばよかったよ！」と牢獄で叫んだとか。 ヒトラーの食事シーン ドイツ語原文 Hitler Robert Ritter Von Greim. Ich ernennen Sie mit zum Oberbefehlshaber der Luftwaffe. und gleichzeitig zum Generalfeldmarschall. Eine große Verantwortung liegt nun auf hren Schultern, Sie müssenn dieLuftwaffe von Grunde auf unkrempeln! Es werden viele Fehler gemacht, seien Sie unerbittlich! Das Leben vergibt keine Schwöchen! Die sogenannte Menschlichkeit das ist ein Geschwätz der Scweinepraffen. Mitleid ist ein Erbsünde! Ich sage immer Mitleid zu haben mit den Schwachen ist Verrat gegen die Natur! Goebbels Das Starke kann letztlich nur triumphieren,indem es das schwache ausmerzt. Hitler Ish selbst habe mir, diesen eisernen Gesetz der Natur gehorchend, stets jedes Mitgefühl versagt. Ich habe die Widerstände im Inneren wie die Gegenwehr der Fremdrassigen immer mit brautaler Härte einskalt niedergeschlagen. Anders kann man das nicht machen! Die Affen zum Beispiel trampeln jeden Außenseiter als gemeinschaftsfremd tot. Und was für die affen gilt, muss doch in erhöhtem Maße für Menschen gelten! Hitler Himmler hat in Lübeck, den Westmächten ein Kapitulationsanfebot gemacht. Bei dem Grafen Bernadotte. Der englische Rundfunk berichtet das. Himmler! Unter allen asugerechnet Himmler! Der Treueste der Treuen. Das ist der Schlimmste Verrat von Allen! Göring,ja! Der war korrupt, immer schon! Spper,ja! Ein weltfremder, unberechenbarer Künstler! All die anderen, Ja, Ja, Ja, Ja, Ja!!!! Aber nicht Himmler ja,ist er denn wahnsinnig geworden?! Um sich yu autorisieren, behauptet er ich wäre krank! Ja, vieööeicht schon tot!!!!! Bitte,lassen Sie mich mit Ritter von Greim und Fräulein Reitsch allein! Und hollen Sie mir Fegelein! Linge Mein Fühler, wir wissen nicht, wo er sich im Moment aufhält! Hitler Was soll das heißen_ Er ist Himmler/s Adjutant, er muss zur Verfügung stehen! Linge Wir haben ihn schon seit Tagen nicht mehr gesehen! Hitler Ich will sofort seinen Bericht!! Sie bleiben Doktor! Bitte! Sie und Greim müssen sobald als möglich aufbrechen! Fliegen Sie zu Dönitz! Teilen Sie ihm mit er soll alles veranlassen, umHimmler seiner verdienten Strafe zuzuführen! Reitsch Mein Fühler, Ritter Greim und ich haben beschlossen, hier mit ihnen in den Tod zu gehen! Hitler Ich danke Ihne für diesen Treuebeweis! Aber Himmler muss Sterben! Er hat Verrat geübt! Ja, ich hatte Recht, ihn nicht in meine Pläne einzuweihen! Greim Mein fühler? Hitler Ja, glauben Sie denn, ich schaue tatenlos zu, bis diese Judenschweine mich abmurksen?! Dies allse ist Teil eines gigantischen Täuschung smanövers! Ich habe den Feind tief ins Reich eindringen lassen! er wähnt sich bereits als Sieger, aber Sie werden sehen Greim, se wird rin böses Erwachen geben! Dönitz mobilisiert im Norden, Kesselring im Süden. Wie werden den Feind in einer riesigen Zangenbewegung zerquestschen! Zugleich falle ich dem Russen mit drei Aemeen, die bei Prag Bereit stehen, in den Rücken! Greim Ich hatte ja keine Ahnung mein Fühler, dass wir noch über derartige Reseven verfügen! Hitler Ich habe Vorsorge getroffen, dass Ihnen, Greim, in Kürze tausende moderner Strahljäger zur Verfügung stehen! Damit Können Sie die Luftwaffe Wieder schlagkräftig machen! ヒトラーの食事シーン 日本語訳 ヒトラー「騎士 ローベルト・フォン・グライムよ。あなたを空軍総司令官に任命する。同時に空軍元帥に昇格させる。 君の両肩に大きな責任がのしかかる。空軍をもう一度叩き直せ。失態続きだ、容赦するな。 人生において弱者を許してはならない。 人生とは強者と弱者の物語だ。慈悲は罪だ。ましてや私は弱者への同情を大罪だと考える」 ゲッベルス「強者は弱者を排除する そして勝利できるのだ」 ヒトラー「私自身、この自然の鉄則に従い、同情を否定してきた。私はずっと外国の血から強固かつ冷徹に、 自衛の範囲で抵抗した。それしかない。 たとえばサルは、外部の卑劣な死体を部外者のように踏みにじる。サルだってそうだ。 ましてや、大人の男だったとしても同じこと」 ヒトラー「ヒムラーがリューベックで、西側連合軍に降伏の交渉を行っていた。仲介はベルナドッテ伯爵、イギリスのラジオが公表。 ヒムラー…よりによってあのヒムラーが！！あれほど忠実だったのに…最低最悪の裏切り行為だ！！！ ゲーリングは、壊れた野郎だった、始めからだ！シュペーアは、知識だけの芸術家だった！ 他の奴らだって大同小異だ！！！ だがヒムラーよ…怒りで見えなくなったか… 奴は私が病気だとか言い出して、死んだことにしやがって！！ すまない、グライムとライチュの二人に話があるから外してくれ。 あと、ここにフェーゲラインを呼んで来い！」 リンゲ「閣下、彼の姿が見えませんが」 ヒトラー「なぜヒムラーの部下がここにいないのだ！」 ブルクドルフ「数日間、行方不明でして」 ヒトラー「さっさと連れて来い！ゲッベルス君、座りなさい」 ヒトラー「あなたとグライムには急いで任務を果たすべきだ。デーニッツの元へ飛べ！ デーニッツにヒムラーに対するしかるべき罰を与えさせるのだ」 ライチュ「閣下、私はグライムとともにここで戦い死ぬ覚悟です」 ヒトラー「その忠誠はうれしい。だが、死すべきはヒムラーだ。奴に私の計画を教えておかなくてよかったよ」 グライム「閣下？」 ヒトラー「このままユダヤのブタどもの好きにさせてなるものか。今ごろ彼らは驕り騙されているだろう。 敵は帝国の奥深くまで侵入してきた。彼らはすでに勝った気でいる、そうだろグライム。そこでこうだ。 デーニッツ元帥が北から、ケッセルリンク元帥が南から。ハサミのように敵を大きく挟み撃つのだ。 プラハの第三軍もロシア軍の後方を攻撃するのさ」 グライム「閣下、それほどの戦力が残っているとは思っていませんでした」 ヒトラー「私が調達したのだ。およそ千の最新型ジェット戦闘機も配備させてあるぞグライム。これで空軍も戦力復活だ」 ゲッベルスの怒り このシーンは、ヒトラー死後、クレープスが停戦を申し入れたが「無条件降伏しろ」と言われて失敗した後、 そのことでゲッベルスが「無条件降伏なんてできるか！」とブチ切れるシーンです。 クレープスの"umumstößlich!"の"unun"以降、一気に議論が白熱しすぎて、クレープス・ブルクドルフ・ヘーヴェルが一度にしゃべっているし、フリッチェに至っては勝手に退室しミシュの元へ。どうなってるのこの会議。 ゲッベルスの"Reichskanzler"とは、ドイツ国宰相（≒ドイツ首相）のこと。総統閣下は遺言で「"Reichspräsident"（ドイツ国大統領）にカール・デーニッツ海軍元帥を、"Reichskanzler"（ドイツ首相）にヨーゼフ・ゲッベルスを、"Reichsparteiminister"（ドイツ国党大臣）にマルティン・ボルマンを」と指名している。が、当のデーニッツがこれを完全にスルー、勝手に政府を作り上げる（フレンスブルグ政府）。 ゲッベルスの怒り ドイツ語原文 Goebbels Kapituliren? Niemals! Das ist empörend! Ich have Berlin vor Jahren gegen die Roten erobert und werde die Stadt bis zum letzten Atemzug gegen die Roten verteiddigen! Die wenigen Stunden, die ich noch als deutscher Reichskanzler zu lebe habe werde ich nicht dazu benutzen , meine Unterschrift unter eine Kapitulationsurkunde zu setzen! Weideling Wir müssen die Zivilbevölkerung schützen! Krebs Der Befehl des Führers ist unumstößlich! Burgdorf Egal, was passiert! Wir werden durchhalten bis zum Ende! Krebs Wir können nicht kapitulieren! Hewel Wir müssen Verhandlungen aufnehmen. Goebbels Ich wiederhole, meine Herren, Eine Kapitulation unterschreibe ich niemals! Fritzsche Setzen Sie sofort ein schreiben an Marschall Schukow auf! Misch An Marschall Schukow? Burgdorf Was geht hier vor? Fritzsche Das ist doch alles Wahnsinn, wir müssen die Stadt den Russen übergeben! Burgdorf Dann muss ich Sie erschießen! Der Führerbefehl verbietet jede Kapitulation! ゲッベルスの怒り 日本語訳 ゲッベルス「降伏？できるか！とんでもない！ 私は１年ベルリンを赤軍占領から守った この街を最後の一人一息になるまで赤軍から守る！ ドイツ宰相として残された数時間を 降伏文書に署名するために使うつもりはない！」 ヴァイトリング「私たちは民間人を保護しなければならない！」 クレープス「総統の命令は決定事項だ！」 ブルクドルフ「何があってもだ！私たちは最後まで戦い抜く！」 クレープス「降伏するわけにはいかない！」 ヘーヴェル「私たちは（降伏の）話し合いを着手しなければならん！」 ゲッベルス「繰り返すが諸君、私は降伏署名を認めない！」 フリッチュ「今すぐジューコフ元帥に電報を打て！」 ミシュ「ジューコフ元帥に？」 ブルクドルフ「何をするつもりだ！」 フリッチュ「全くどうかしてる、我々は街をソ連に渡すしかないのだよ！」 ブルクドルフ「ならば銃殺だ！総統命令はいかなる降伏も禁じている！」
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S Sulfur - Sulfur Nitrogen Compounds Compounds With Sulfur of Oxidation Number 11 (Gmelin - Handbooks of Inorganic and Organometallic Chemistry , Part 11) Springer-Verlag? Han-Jurgen Fachmann? Springer-Verlag? Han-JurgenFachmann? Substores-UnknownASINs-47? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Inorganic? Subjects-Science-Chemistry-Inorganic? Subjects-Science-Chemistry-Organic-OrganometallicCompounds Subjects-Science-General Sn Organotin Compounds Dinuclear Compounds Containing Only Tin-Carbon Bonds - R3Sn-G-Snr3 With Various Organic G Units and R=Alkyl, Cycloalkyl and Alenyl (Gmelin Handbook of Inorganic Organometallic Chemistry) Springer-Verlag? Gmelin? Springer-Verlag? Gmelin? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Inorganic? Subjects-Reference? Subjects-Science-Chemistry-Crystallography? Subjects-Science-Chemistry-Inorganic? Subjects-Science-Chemistry-Organic-OrganometallicCompounds Subjects-Science-Chemistry-Industrial&Technical? 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Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-General Subjects-Science-Physics-Mechanics? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SoilScience? Remote Sensing in the 21st Century Economic and Environmental Applications Aa Balkema? S. Earsel? AaBalkema? S.Earsel? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-RemoteSensing? Subjects-Engineering-Electrical&Electronics-Optics-General? 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Series of Faber Polynomials (Analytical Methods and Special Functions) G & B Science Pub? P. K. Suetin? E. V. Pankratiev? G&BSciencePub? P.K.Suetin? E.V.Pankratiev? Substores-UnknownASINs-55? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-Mathematics-Infinity? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Cataclysmic Variables and Related Objects (Astrophysics and Space Science Library) D Reidel Pub Co? Mario Livio? Giora Shaviv? DReidelPubCo? MarioLivio? GioraShaviv? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Ecology-StarGazing? Subjects-Outdoors&Nature-NaturalResources-Rocks&Minerals? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-EarthSciences-Rocks&Minerals? Subjects-Science-General Subjects-Science-Nature&Ecology-StarGazing? 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Subjects-Science-Technology-General&Reference Foseco Foundryman's Handbook Facts, Figures and Formulae Pergamon Pr? F. S. Foesco? PergamonPr? F.S.Foesco? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-Technology-General&Reference The War of Invention Scientific Developments, 1914-18 Brassey s (UK) Ltd? Guy Hartcup? Brassey s(UK)Ltd? GuyHartcup? ジャンル別? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarI? Subjects-History-Europe-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Innovation and Efficiency Strategies for a Turbulent World Pergamon Pr? Heinz-Dieter Haustein? PergamonPr? Heinz-DieterHaustein? ジャンル別? Substores-UnknownASINs-2? 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Deuxième Tableau - Mardi Gras (La Place Colonne à l angle de la rue du Corso. Au fond, la Colonne Antonine et une fontaine. A droite, un théâtre de pasquinades. A gauche, une taverne avec une cour, des tables, des bancs, etc) Scène Septième N° 7 - Romance CELLINI (seul) Une heure encor et ma belle maîtresse Va venir dans ces lieux, Une heure encor, amour, et si tu veux De tous ces cœurs fous d allégresse Le mien sera le plus joyeux. Ah! tu serais ingrat si tu trompais mes voeux. Romance La gloire était ma seule idole; Un noble espoir que je n ai plus Ceignait mon front de l auréole Que l art destine à ses élus; Mais cet honneur je le dédaigne, Teresa seule en mon cœur règne. Vois donc, amour, ce que je fais pour toi; Protège-la, protège-moi. Ma bien aimée était heureuse, Et comme un fleuve ses beaux jours, Loin de la mer sombre, orageuse, Paisiblement suivaient leurs cours. Mais au repos elle préfère Ma vie errante et ma misère. Vois donc, amour, ce qu elle fait pour toi; Protège-la, protège-moi. Scène Huitième N° 8 - Scène et Choeur TOUS A boire, à boire, à boire! Servez-nous vite à boire! (On apporte du vin.) BERNARDINO (fredonnant) Tra la la la! Chantons! CELLINI Soit, mais pour Dieu, pas de chansons à boire! Pas d ignoble refrain Sentant la taverne et le vin. Chantons! mais que nos chants soient un hymne à la gloire Des ciseleurs et de notre art divin. Chant des Ciseleurs LE CHOEUR, CELLINI, FRANCESCO, BERNARDINO Si la terre aux beaux jours se couronne De gerbes, de fruits et de fleurs, En ses flancs l homme moissonne Dans tous les temps des trésors meilleurs. Honneur aux maîtres ciseleurs! Quand le maître cisèle L or comme un soleil luit, Le rubis étincelle Comme un feu dans la nuit. Le jour, les diamants sommeillent, Le soleil éteint leurs splendeurs; Mais quand vient le soir, ils s éveillent Avec le chœur scintillant des étoiles leurs sœurs. Honneur aux maîtres ciseleurs! Le soir les topazes s éveillent Avec les étoiles leurs sœurs. Honneur aux maîtres ciseleurs! Quand le maître cisèle L or comme un soleil luit, Le diamant ruisselle Comme un torrent qui fuit, Le rubis étincelle Comme un feu dans la nuit. Quand naquit la lumière, Le génie aux beaux-arts Divisa la matière; Il en fit quatre parts, L architecte eut la pierre, Au peintre la couleur, Le marbre au statuaire, Mais l or au ciseleur! Les métaux, ces fleurs souterraines Aux impérissables couleurs, Ne brillent qu au front des reines, Des rois, des papes, des grands-ducs et des empereurs. Honneur aux maîtres ciseleurs! BERNARDINO Amis, avant qu on recommence Je demande un peu de silence, Pour mieux entonner le refrain, Il nous faut des fiasques de vin. LE CHOEUR A boire! du vin, tout est bu. Scène Neuvième LE CABARETIER (avec hésitation, à la voix nasillarde) Que voulez-vous? la cave est vide. CELLINI Que dis-tu là, cervelle aride? LE CABARETIER Je dis que... vous avez trop bu, Et si vous voulez encor boire, Il faut... il faut... LE CHOEUR (impatienté) Il faut..? LE CABARETIER Il faut payer votre mémoire. LE CHOEUR Montre-nous donc ce qui t est dû. LE CABARETIER (prenant des mains d un de ses garçons une longue perche marquée de nombreuses entailles, servant à désigner les bouteilles vendues) Voici, messieurs, le contenu De cette liste exorbitante Vin blanc d Orvieto, Aleatico, et Maraschino, Trente fiasques, trente. LE CHOEUR Comment, trente! LE CABARETIER Vin rouge d Ischia Et de Procida et de Nisita Ce qui fait soixante. LE CHOEUR Soixante! LE CABARETIER Vin mousseux d Asti, Vin de Lipari, Lacryma-Christi Ce qui fait cent trente. LE CHOEUR (contrefaisant le cabaretier) Lacryma-Christi! Cent trente! Ah! consternation, Abomination, Qui tombent sur nos têtes! CELLINI Non, jamais les trompettes Du jugement dernier Ne sauraient effrayer Plus que la voix fatale... CELLINI, LE CHOEUR Et la liste infernale... De ce... cabaretier. CELLINI Comment sortir d embarras... LE CHOEUR, FRANCESCO, BERNARDINO (saisissant aux mains du cabaretier sa longue perche) Maître, si nous rossions un peu ce traître? CELLINI Mauvais moyen que celui-là; Il vaut mieux attendre. (Le chœur lâche le cabaretier qui s enfuit.) Peut-être Ascanio nous délivrera. LE CHOEUR Ascanio! vraiment! le voilà! Scène Dixième LE CHOEUR (Ascanio entre portant un sac d argent) C est le sauveur! viva! CELLINI (courant à son élève) Viens, enfant, qu on t embrasse Et qu on te débarrasse De ce fardeau pesant. ASCANIO Un instant, un instant, Le vin après la gloire. Maître, que ta mémoire Se réveille un moment. Air Cette somme t est due Par le Pape Clément Pour fondre la statue Que l Italie attend De ton noble talent. Or donc, je ne te laisse Ce pesant sac d argent Que sur une promesse, Un solide serment, Que demain ta statue, Maître, sera fondue. Il me faut ton serment. CELLINI Soit, je le jure, enfant. LE CHOEUR Nous le jurons, enfant. LE CHOEUR, CELLINI (d un ton solennel) Cette somme était due Par le Pape Clément Pour fondre la statue Que l Italie attend De son / mon noble talent. Or donc, si tu nous laisses Ce pesant sac d argent, CELLINI (avec le Choeur) Je t en fais la promesse. Je t en fais le serment. LE CHOEUR Crois en notre promesse. Nous t en faisons serment. CELLINI, CHOEUR Sans délai ma / la statue Demain sera fondue Comme ce sac d argent. Nous en faisons serment. Oui! ASCANIO Mes amis, maintenant Ma conscience est nette. Payez donc votre dette; Mon argent, le voilà. CELLINI (vidant le sac) Comment! rien que cela? FRANCESCO, BERNARDINO Ah! la chétive somme! ASCANIO C est un si vilain homme que ce vieux trésorier! CELLINI (appelant) Qu importe... Sommelier!... Sommelier! (contrefaisant la voix du cabaretier) J acquitte ton mémoire... LE CABARETIER (prenant l argent) Merci, voulez-vous boire? LE CHOEUR Oui-dà, du vin... CELLINI Mais amis, plus de vin! (Le cabaretier s en va.) Mais que notre vengeance Frappe ce juif mesquin, Qui dans son arrogance Me traite en vrai faquin. LE CHOEUR Oui, vengeance, vengeance! Scène Onzième CELLINI (attirant ses amis à droite pour ne pas être entendu des garçons du cabaret qui desservent les tables) Écoutez tout à l heure Je sais que Balducci Quittera sa demeure Pour venir voir ici Les belles pasquinades Du maître Cassandro. Eh bien! chez Cassandro, Nous-mêmes, camarades, Dans de folles parades Drapons le Giacomo. LE CHOEUR Par Dieu! le rôle est beau. CELLINI Anathème, anathème Sur le visage blême Du seigneur Giacomo! LE CHOEUR Anathème, anathème Sur le visage blême Du seigneur Giacomo! Par Dieu! le rôle est beau, Faire rire tout Rome D un tel homme... Vite, vite chez Cassandro. TOUS (avec enthousiasme) Gloire à nous! Les métaux, ces fleurs souterraines Aux impérissables couleurs, Ne brillent qu au front des reines, Des rois, des papes, des grands-ducs et des empereurs. Honneur aux maîtres ciseleurs! (Ils entrent en courant chez Cassandro) Scène Douzième N° 9 - Récitatif FIERAMOSCA (qui a épié Cellini et ses amis de loin) C est trop fort! comploter à mon nez, sans pudeur, Et je les laisserais faire! Non pas... non pas... POMPEO (qui arrive par le fond) Eh bien, frère! Qu as-tu donc? FIERAMOSCA Ce que j ai? J étouffe de colère! Cellini... POMPEO (tranquillement) Qu a fait ce hâbleur? FIERAMOSCA (le serrant dans ses bras) Ah! Pompeo, mon ami, mon sauveur. POMPEO Ah! Je sais, l on m a dit. FIERAMOSCA Déjà? POMPEO La chose est claire, On t a rossé, cher fils! FIERAMOSCA Oui, mon cher Pompeo! Mais le pis est que Teresa et son père Viennent ce soir voir Cassandro. POMPEO Eh bien! quel mal? FIERAMOSCA Quel mal! ils vont sur le tréteau, Les traîtres, amuser le seigneur Giacomo Pour lui donner le change; Et lorsque le canon, tiré du fort Saint-Ange Dans nos mains soufflera les moccoli* soudain Un moine blanc, suivi d un capucin, Doit enlever Teresa, ma maîtresse... (Moccoli petites bougies que le mardi gras, à Rome, les masques portent et éteignent en se poursuivant, jusqu au moment où le canon du fort Saint-Ange annonce la fin du carnaval) POMPEO (enthousiasmé) Ah! bravo! FIERAMOSCA Quoi! bravo?... ce moine est Cellini. Ce capucin, c est son ami, Ascanio... POMPEO Je vois bien... Bravo!... vive l adresse! FIERAMOSCA Que je m expose ou non à quelque affront nouveau, Moi, je vais avertir le seigneur Giacomo. Nous verrons s il dira bravo! POMPEO (le retenant) Imbécile! FIERAMOSCA Vraiment? POMPEO Misérable cerveau! Puisque tu sais son stratagème, Trompe le trompeur même, Vole-lui son plan. FIERAMOSCA Mais comment? POMPEO Viens le premier toi-même en moine blanc, Et puis enlève... FIERAMOSCA Oui, la chose est facile; Mais s il me voit, le spadassin Va me tomber dessus. POMPEO Per Bacco! sois tranquille! Ne serais-je pas là moi-même en capucin? Je suis un ferrailleur s il est un spadassin. FIERAMOSCA (réfléchissant) Allons, allons, c est bien. N° 10 - Air Ah! qui pourrait me résister? Suis-je pas né pour la bataille? Malheur à qui m ose irriter! Malheur surtout à qui me raille! Le moulinet est bientôt fait, En quarte, en tierce, Toujours je perce. Vive l escrime! c est mon fort. Ô Teresa! pour toi mon âme Brûle des feux les plus ardents; C est un volcan toujours en flamme, Un Vésuve aux bonds effrayants. Je t aime tant que pour te plaire, J irais, je crois, faire la guerre A l enfer, à ses habitants; J irais même jusqu à combattre Ce malandrin de Cellini. Le malheureux!... cent comme lui Ne pourraient pas encor m abattre. Non, rien ne peut me résister, etc. (Il simule un combat à l épée) Une, deux, trois; une, deux; une... mort! Sans pitié je perce son cœur, Je suis vainqueur! N° 11 - Récitatif POMPEO Viens, le temps passe. FIERAMOSCA Cher Pompeo, que je t embrasse! POMPEO Prenons un froc et ne crains rien, Tout ira bien. (Ils sortent.) Scène Treizième N° 12 - Final (Le théâtre de Cassandro s anime; deux baladins sonnent de la trompette à chaque coin; deux autres au milieu déroulent une immense affiche où se lisent ces mots "Le roi Midas ou les oreilles d âne, opéra-pantomime." Quelques masques et le peuple commencent à circuler sur la place. Entrent d abord Balducci et Teresa par la coulisse de gauche) BALDUCCI (donnant le bras à sa fille) Vous voyez, j espère, Que je suis bon père; Moi, juge sévère Des premiers acteurs, Je consens, ma chère, A voir pour vous plaire La farce grossière De ces bateleurs. (Il quitte le bras de sa fille et va lire l affiche de Cassandro) TERESA (sur l avant-scène, à part) Ah! que vais-je faire? Laisser mon vieux père Seul et dans les pleurs! (Elle va rejoindre son père dans le fond.) CELLINI, ASCANIO (l un en pénitent blanc, l autre en moine brun, arrivant par la coulisse de droite) Prudence et mystère, Moine blanc / Capucin mon frère. Laissons d abord faire Nos chers bateleurs; Puis à nous l affaire. Alors, cher beau-père, Va chez le notaire, Ne va pas ailleurs. (Cellini et Ascanio ont traversé la scène de droite à gauche. Teresa et son père redescendent à droite.) Ensemble TERESA Ah! que vais-je faire? Laisser mon vieux père Seul, et dans les pleurs! Mais bientôt, j espère, Viendra le notaire Calmer ses douleurs. BALDUCCI Vous voyez? j espère, Que je suis bon père, etc. ASCANIO, CELLINI Prudence et mystère, Moine blanc / Capucin mon frère, etc. (Ils se perdent tous les quatre dans la foule.) BOURGEOIS DE ROME De Cassandro la farce est prête, Il va jouer le roi Midas. Amis, bourgeois, ne partez pas, Nous sifflerons si sa barette Ne nous fait pas rire aux éclats. (Entrent des femmes et des jeunes garçons avec des cymbales et des tambours de basque à la main. Ils se disposent à danser le saltarello. Francesco, Bernardino et le chœur des bateleurs amis de Cellini paraissent sur la galerie du petit théâtre) CHOEUR DES BATELEURS Venez, venez, peuple de Rome, Venez entendre du nouveau. CHOEUR DU PEUPLE (sur la place et applaudissant les danseurs) Ah! ah! Bravo! bravo! bravo! bravo! LES BATELEURS Venez, venez, voir l habile homme, Il va monter sur le tréteau! LE PEUPLE Ah! ah! Bravo! bravo! bravo! bravo! LES BATELEURS Venez, venez, peuple de Rome, Venez entendre du nouveau. Venez, venez, voir l habile homme, Il va monter sur le tréteau. LE PEUPLE Mais déjà la foule Dans l ombre et la nuit Sur Rome déroule La joie et le bruit. Et l amour, l ivresse, Dans la ville en feux, Chassent la tristesse Des cœurs et des yeux. LES BATELEURS Venez, peuple de Rome, A l opéra nouveau. LE PEUPLE Ah! sonnez, trompettes, Sonnez, musettes, Sonnez, gais tambourins. LES BATELEURS Venez voir l habile homme, etc. LE PEUPLE Sonnez, trompettes, etc. LES BATELEURS Accourez, arlequins, Médecins et pasquins! LE PEUPLE Ah! vive la joie, Que l on s y noie! Buvons, chantons, dansons. LES BATELEURS Masques noirs, ventres ronds, Venez voir les bouffons. LE PEUPLE Ah! le carnaval Est un grand bal Où, rois et gueux, Tous sont heureux, etc. TERESA Ah! le carnaval Est un grand bal Où, rois et gueux Tous sont heureux. LES BATELEURS Sans nous la fête est incomplète, Messieurs, ne vous éloignez pas; Restez, restez, la farce est prête, Elle est digne du mardi-gras. Accourez tous! LES DANSEURS ET UNE PARTIE DU PEUPLE Maudit bavard, vieille trompette, Tes quolibets ne tentent pas, Sur ton tréteau, crie à tue-tête, Pour nous la danse a plus d appas. LES BATELEURS Accourez, accourez, Médecins et pasquins, Accourez, accourez! Ah! maudits danseurs! LE PEUPLE L amour et l ivresse Chassent la tristesse, etc. Le carnaval Est un grand bal, etc. (Le spectacle commence. Le rideau, qui cachait le fond du théâtre de Cassandro, se tire et laisse voir les acteurs. On voit un grand sac d argent couronné d une mitre papale et posé sur un trône. Au pied du trône le Trésorier du Pape semblable de costume et de visage à Balducci. Le peuple s assemble devant le théâtre. Balducci et sa fille louent un banc pour mieux voir la parade) Silence! silence! silence! Assez dansé! Cassandro commence. LES FEMMES Cassandro commence, Allons, allons! faisons silence. Ouverture de la Pantomime LE PEUPLE Ah! ah! Bravo! Voici le Saint-Père, Et voici son trésorier, le seigneur Balducci. BALDUCCI Ah! c est ainsi! Me mettre en scène, Moi, Balducci? TERESA Partons d ici. BALDUCCI Non, non, merci. Pour voir ceci Puisqu on m amène, Je verrai tout Jusqu au bout! Je veux au Pape Dire ce soir Comme on nous drape, Et comme on sape notre pouvoir. LE PEUPLE Paix donc là-bas! On n entend pas! Paix! on n entend pas La pantomime. CELLINI (reparaissant avec Ascanio, sur le devant de la scène, à gauche) Vois-tu Teresa? ASCANIO Elle est là-bas. FIERAMOSCA (en moine blanc, arrivant à droite, avec Pompeo en moine brun) Vois-tu Teresa? POMPEO Elle est là-bas. TERESA Ah! quel malaise! Quel embarras! LE PEUPLE On n entend pas La pantomime! paix donc là-bas. BALDUCCI Que je me taise? je ne veux pas. LES HOMMES DU PEUPLE Paix! paix! LES FEMMES Paix donc, là-bas! Faites silence! Chut! on commence, Faites silence! (Colombine vient annoncer que deux fameux chanteurs, Arlequin et Pierrot, vont se présenter devant leur juge et disputer la palme de chant. Le faux trésorier ordonne qu ils paraissent) Pantomime du roi Midas ou les oreilles d âne (Paraissent deux chanteurs, d abord Arlequin, une lyre à la main) UNE PARTIE DU PEUPLE Voici maître Arlequin, Premier ténor romain! (Puis Pierrot avec de longues oreilles d âne et une petite grosse caisse pendue au col) UNE AUTRE PARTIE DU PEUPLE Voilà Pierrot! c est un chanteur de la Toscane, Mais est-ce un homme ou bien un âne? LES FEMMES Faisons silence. Regardons bien Maître Arlequin. Faisons silence. LES HOMMES (impatientés et s adressant aux femmes) Paix! LES FEMMES (continuant plus bas) Regardons bien, Faisons silence. Ariette d Arlequin (Arlequin s accompagnant de la lyre chante une ariette d un caractère doux et tendre. Pendant cette romance le peuple continue de parler, et le faux trésorier bâille et s endort) Ensemble LES HOMMES DU PEUPLE Bien, bien, bien C est très bien, Paix donc... LES FEMMES Regardons bien Maître Arlequin; C est un fameux ténor romain! Regardons bien. TOUS Ah! bravo, comme il chante, Ah! quel gosier divin! Comme il déroule Son chapelet; Comme il roucoule Pour un muet. Cavatine de Pierrot (Pierrot chante à son tour en s accompagnant de la grosse caisse. Pendant ce morceau lourd et trivial le peuple observe le plus profond silence, et le faux trésorier ravi se pâme d aise et bat la mesure à contretemps) QUELQUES HOMMES DU PEUPLE (montrant le faux trésorier) Il plaît fort au vieil homme Vois donc comme Il se tord. BALDUCCI C est trop fort! AUTRE PARTIE DU PEUPLE Vois donc le vieux, Est-il heureux! En vérité, Ô Dieu! Félicité! Ah! ah! quel butor! ah! ah! (Lorsque Pierrot a eu fini de chanter, Arlequin se présente pour recevoir le prix de chant. Après quelques gestes de mépris, le faux trésorier plonge lentement la main dans le sac et en tire un écu qu il donne à Arlequin. Pierrot se présente à son tour. Le juge enthousiasmé plonge à plusieurs reprises la main dans le sac et en tire des poignées d or qu il donne à Pierrot) LE PEUPLE Soyez surpris S il a le prix, Son juge a des oreilles Toutes pareilles. BALDUCCI Marauds! TERESA Chut! vos cris Redoublent les ris. (Le faux trésorier met sur la tête de Pierrot une couronne de lauriers. Arlequin, mécontent, prend sa batte et rosse son rival et le distributeur des grâces. Colombine en vain s y oppose) LE PEUPLE Bravo! BALDUCCI Marauds, se rire ainsi de moi! LE PEUPLE Midas! BALDUCCI (furieux, s élançant, armé de sa canne, sur le théâtre de Cassandro) Attends, c est fait de toi! LE PEUPLE Après la comédie Voici la tragédie. Vive le carnaval! L original Auprès de la copie Nous allons voir quel est De vous deux le plus laid. (Tous les spectateurs s avancent vivement vers le fond de la scène comme pour voir le résultat de la lutte engagée entre Balducci et les bateleurs. Cri général. A ce moment la nuit tombe. Les moccoli apparaissent. La rue et la place s illuminent à la clarté d une foule de petites bougies portées par les masques qui les soufflent et les rallument en se poursuivant.) FIERAMOSCA (à Pompeo, sur le devant de la scène) Viens, pas à pas, Fendons la presse, Offrons le bras a ma maîtresse. CELLINI (à Ascanio, sur le devant de la scène) Viens, pas à pas Fendons la presse, Offrons le bras a ma maîtresse. TERESA (sur le devant de la scène au milieu, et dans la surprise) Un moine blanc!... c est Cellini! Que vois-je? un autre ici! Deux capucins... FIERAMOSCA (d un côté) C est moi! CELLINI (de l autre) C est moi! TERESA Dieu! lequel est-ce? LE CHOEUR DES MASQUES (se poursuivant) Moccolo, moccoli! FIERAMOSCA, CELLINI C est moi! Prenez mon bras! LE CHOEUR DES MASQUES Moccolo, moccoli! A mort le moccolo! CELLINI Quoi! par l enfer et mon patron; Un autre moine... ah! trahison! POMPEO (à Fieramosca) Va, ne crains rien, marche quand même. FIERAMOSCA Ah! maudit froc, sot stratagème! POMPEO Tiens bon! ASCANIO Vengeons-nous de la trahison. POMPEO Tiens bon, tiens bon. Va, ne crains rien. CELLINI (tirant son épée) Qui que tu sois, homme ou démon, C est fait de toi. FIERAMOSCA Pompeo! à moi! Vite en avant. ASCANIO (recourant après Fieramosca) Attends, toi qui prends le devant! TERESA Ciel, au secours! qu on les arrête! LE PEUPLE (les retenant) Mais êtes-vous fous, un jour de fête? Vous avez donc perdu la tête? (Ascanio combat contre Fieramosca et Cellini combat contre Pompéo) CELLINI (se dégageant) Non, je n ai pas perdu la tête, Non. TERESA Au nom du ciel qu on les arrête! FIERAMOSCA (reculant devant l épée d Ascanio) A mon secours! POMPEO (combattant) Tiens bon! (Fieramosca se sauve) CELLINI (pressant plus vivement Pompeo) Non, non... FIERAMOSCA (se sauvant, poursuivi par Ascanio) A mon secours! CELLINI Non!... non!... (Il perce Pompeo.) POMPEO (tombant) Ah! je suis mort! (Tous les porteurs de moccoli s arrêtent et se groupent autour de Pompeo, étendu par terre.) LE PEUPLE Un homme mort! vite à la garde... Un mort! BALDUCCI (revenant sur le devant de la scène à droite, sans canne et les habits en désordre) Un meurtrier... ma fille... un mort! FIERAMOSCA (reparaissant à gauche, toujours poursuivi par Ascanio) A mon secours!... Pomp... mort! LE PEUPLE (montrant Cellini) Oui... c est ce moine... oui... qu on l arrête, Son arme brille et fume encor. (Des sbires arrêtent Cellini.) CELLINI Je suis perdu! FIERAMOSCA Je suis sauvé! ASCANIO Mon pauvre maître! FRANCESCO, BERNARDINO Le maître est pris! FIERAMOSCA On tient le traître! BALDUCCI, FRANCESCO, LES BATELEURS Ah! maudite nuit! CELLINI, TERESA Cruel destin! LES FEMMES Un si bel homme! LES HOMMES Ah! quel coquin! CELLINI Maudite nuit! TOUS Ah! (Les élèves et amis de Cellini feignent de partager l indignation générale.) FRANCESCO, BERNARDINO, BALDUCCI FIERAMOSCA, LE PEUPLE Assassiner un capucin!... Un camaldule, ah! c est infâme! C est un brigand de l Apennin; C était l amant de quelque femme; Soldats, gardez bien l assassin! C est la vendetta, c est certain. TERESA Ah! pauvre femme, Pour moi seule il s est perdu. Infâme, lâches drôles! Le traiter comme un assassin. CELLINI Ah! terrible nuit, ô sort maudit! Lâches, drôles, Me traiter comme un assassin. ASCANIO Ah! mon cher maître! c est infâme! Le traiter comme un assassin. FIERAMOSCA C est un infâme assassin! Le traître est pris enfin! (Tout à coup le canon du fort Saint-Ange tonne; à ce signal, toutes les lumières portées par les masques s éteignent subitement, et une obscurité profonde envahit la place) CELLINI A moi, mes amis, A moi, je suis pris! (Les amis de Cellini profitent de la nuit pour s élancer sur les gardes. Leur mouvement soudain met la confusion dans le peuple. Cellini se dégage et se sauve) LE PEUPLE On n y voit pas! BALDUCCI, FIERAMOSCA UNE PARTIE DU CHOEUR Gardes, tenez-vous l homme? LES SBIRES A nous, bourgeois! LE PEUPLE A nous, soldats! TERESA, ASCANIO, AMIS DE CELLINI Il a disparu. FIERAMOSCA, BALDUCCI Maudit canon! le drôle était saisi. Ensemble BALDUCCI, FIERAMOSCA, LE PEUPLE Maudit canon du fort Saint-Ange, Pour que la langue te démange, Par Dieu! l instant est bien choisi; Sans toi le drôle était saisi. TERESA, ASCANIO, FRANCESCO BERNARDINO, ÉLÈVES DE CELLINI Ah! cher canon du fort Saint-Ange, Pour que le jour en nuit se change, Merci! l instant est bien choisi; Car les soldats l avaient saisi. BALDUCCI (cherchant sa fille) Teresa! TERESA Mon père! ASCANIO (reconnaissant Teresa) Chut! prenez mon bras. Venez, je vais guider vos pas. (Ascanio donne son bras à Teresa et l emmène en cherchant à éviter Fieramosca et Balducci.) Ensemble LE PEUPLE, LES AMIS DE CELLINI Au meurtre! ah, Dieu! l on nous assomme! A l aide! au meurtre! quel horrible fracas! Maudit canon! on tenait l homme! Il était pris. Ah, quel chaos! La foule augmente! on n y voit pas! Le drôle s échappe, On ne l attrapera pas. BALDUCCI Teresa, Teresa! ma fille! quel fracas! Je n y vois pas. FIERAMOSCA Maudit canon! Ah! trahison! Il était pris, à l aide! au meurtre! Ah, quel fracas! Ah! le drôle s échappe... on n y voit pas. TERESA, ASCANIO Ah, quel horrible fracas! On ne l attrapera pas. Ah, quel chaos! Grand Dieu, Quel horrible fracas! TOUS Ah! maudit / cher canon, etc. Ah! quel chaos et quel fracas! La foule augmente, etc. BALDUCCI (se heurtant contre Fieramosca) Le moine blanc! FIERAMOSCA Quoi! BALDUCCI (criant) Ah! Je tiens l homme. FIERAMOSCA Êtes-vous fou? LES SBIRES Bien, bien... nous venons. BALDUCCI Gardez-le bien. LES SBIRES Oui, oui, merci. BALDUCCI Teresa! LE PEUPLE Le gueux, c est lui! LES ÉLÈVES DE CELLINI Bon, c est Fieramosca! FIERAMOSCA Je ne suis pas... LES SBIRES, LE PEUPLE Si... si... Vite, marchons... FIERAMOSCA Vous me prenez pour... LES SBIRES, LE PEUPLE L homme... Oui! oui! c est bon. FIERAMOSCA Mais je me nomme Fieramosca, vous dis-je. LES SBIRES En prison, vite, en prison! BALDUCCI (appelant toujours) Teresa! VOIX DIVERSES (partant de tous les coins de la place) Il est pris! FIERAMOSCA Je suis Fieramosca, vous dis-je. Ensemble UNE PARTIE DU PEUPLE, TERESA ASCANIO, FRANCESCO Ah! scélérat, vil assassin, Vieux renégat, Nous saurons bien te faire pendre. Va, tu n échapperas pas. UNE AUTRE PARTIE DU PEUPLE, BERNARDINO, BALDUCCI Assassiner un capucin la nuit des cendres! Nous saurons bien te faire pendre. Va, tu n échapperas pas. FIERAMOSCA M emprisonner, me caserner! Veuillez m entendre, Je suis bon citoyen. Me faire pendre, moi... moi... Fieramosca. TOUS Ô Dieu! de l air! j étouffe! de grâce! Eh! eh! place! Nous n en sortirons pas. BALDUCCI (appelant toujours sa fille) Ma fille! Teresa!... je ne l aperçois pas. TERESA, ASCANIO Allons, partons. Ah! ne me quittez pas. FIERAMOSCA (faisant des efforts pour dégager son cou de la main des sbires) Ah, Dieu! j étouffe. Ah! ne m étranglez pas! TOUS Grand Dieu! la foule augmente! Vous m écrasez, Quelle tourmente! Nous n en sortirons pas! Ah, quel chaos, quel embarras! Ah, quel fracas! Deuxième Tableau - Mardi Gras (La Place Colonne à l angle de la rue du Corso. Au fond, la Colonne Antonine et une fontaine. A droite, un théâtre de pasquinades. A gauche, une taverne avec une cour, des tables, des bancs, etc) Scène Septième N° 7 - Romance CELLINI (seul) Une heure encor et ma belle maîtresse Va venir dans ces lieux, Une heure encor, amour, et si tu veux De tous ces cœurs fous d allégresse Le mien sera le plus joyeux. Ah! tu serais ingrat si tu trompais mes voeux. Romance La gloire était ma seule idole; Un noble espoir que je n ai plus Ceignait mon front de l auréole Que l art destine à ses élus; Mais cet honneur je le dédaigne, Teresa seule en mon cœur règne. Vois donc, amour, ce que je fais pour toi; Protège-la, protège-moi. Ma bien aimée était heureuse, Et comme un fleuve ses beaux jours, Loin de la mer sombre, orageuse, Paisiblement suivaient leurs cours. Mais au repos elle préfère Ma vie errante et ma misère. Vois donc, amour, ce qu elle fait pour toi; Protège-la, protège-moi. Scène Huitième N° 8 - Scène et Choeur TOUS A boire, à boire, à boire! Servez-nous vite à boire! (On apporte du vin.) BERNARDINO (fredonnant) Tra la la la! Chantons! CELLINI Soit, mais pour Dieu, pas de chansons à boire! Pas d ignoble refrain Sentant la taverne et le vin. Chantons! mais que nos chants soient un hymne à la gloire Des ciseleurs et de notre art divin. Chant des Ciseleurs LE CHOEUR, CELLINI, FRANCESCO, BERNARDINO Si la terre aux beaux jours se couronne De gerbes, de fruits et de fleurs, En ses flancs l homme moissonne Dans tous les temps des trésors meilleurs. Honneur aux maîtres ciseleurs! Quand le maître cisèle L or comme un soleil luit, Le rubis étincelle Comme un feu dans la nuit. Le jour, les diamants sommeillent, Le soleil éteint leurs splendeurs; Mais quand vient le soir, ils s éveillent Avec le chœur scintillant des étoiles leurs sœurs. Honneur aux maîtres ciseleurs! Le soir les topazes s éveillent Avec les étoiles leurs sœurs. Honneur aux maîtres ciseleurs! Quand le maître cisèle L or comme un soleil luit, Le diamant ruisselle Comme un torrent qui fuit, Le rubis étincelle Comme un feu dans la nuit. Quand naquit la lumière, Le génie aux beaux-arts Divisa la matière; Il en fit quatre parts, L architecte eut la pierre, Au peintre la couleur, Le marbre au statuaire, Mais l or au ciseleur! Les métaux, ces fleurs souterraines Aux impérissables couleurs, Ne brillent qu au front des reines, Des rois, des papes, des grands-ducs et des empereurs. Honneur aux maîtres ciseleurs! BERNARDINO Amis, avant qu on recommence Je demande un peu de silence, Pour mieux entonner le refrain, Il nous faut des fiasques de vin. LE CHOEUR A boire! du vin, tout est bu. Scène Neuvième LE CABARETIER (avec hésitation, à la voix nasillarde) Que voulez-vous? la cave est vide. CELLINI Que dis-tu là, cervelle aride? LE CABARETIER Je dis que... vous avez trop bu, Et si vous voulez encor boire, Il faut... il faut... LE CHOEUR (impatienté) Il faut..? LE CABARETIER Il faut payer votre mémoire. LE CHOEUR Montre-nous donc ce qui t est dû. LE CABARETIER (prenant des mains d un de ses garçons une longue perche marquée de nombreuses entailles, servant à désigner les bouteilles vendues) Voici, messieurs, le contenu De cette liste exorbitante Vin blanc d Orvieto, Aleatico, et Maraschino, Trente fiasques, trente. LE CHOEUR Comment, trente! LE CABARETIER Vin rouge d Ischia Et de Procida et de Nisita Ce qui fait soixante. LE CHOEUR Soixante! LE CABARETIER Vin mousseux d Asti, Vin de Lipari, Lacryma-Christi Ce qui fait cent trente. LE CHOEUR (contrefaisant le cabaretier) Lacryma-Christi! Cent trente! Ah! consternation, Abomination, Qui tombent sur nos têtes! CELLINI Non, jamais les trompettes Du jugement dernier Ne sauraient effrayer Plus que la voix fatale... CELLINI, LE CHOEUR Et la liste infernale... De ce... cabaretier. CELLINI Comment sortir d embarras... LE CHOEUR, FRANCESCO, BERNARDINO (saisissant aux mains du cabaretier sa longue perche) Maître, si nous rossions un peu ce traître? CELLINI Mauvais moyen que celui-là; Il vaut mieux attendre. (Le chœur lâche le cabaretier qui s enfuit.) Peut-être Ascanio nous délivrera. LE CHOEUR Ascanio! vraiment! le voilà! Scène Dixième LE CHOEUR (Ascanio entre portant un sac d argent) C est le sauveur! viva! CELLINI (courant à son élève) Viens, enfant, qu on t embrasse Et qu on te débarrasse De ce fardeau pesant. ASCANIO Un instant, un instant, Le vin après la gloire. Maître, que ta mémoire Se réveille un moment. Air Cette somme t est due Par le Pape Clément Pour fondre la statue Que l Italie attend De ton noble talent. Or donc, je ne te laisse Ce pesant sac d argent Que sur une promesse, Un solide serment, Que demain ta statue, Maître, sera fondue. Il me faut ton serment. CELLINI Soit, je le jure, enfant. LE CHOEUR Nous le jurons, enfant. LE CHOEUR, CELLINI (d un ton solennel) Cette somme était due Par le Pape Clément Pour fondre la statue Que l Italie attend De son / mon noble talent. Or donc, si tu nous laisses Ce pesant sac d argent, CELLINI (avec le Choeur) Je t en fais la promesse. Je t en fais le serment. LE CHOEUR Crois en notre promesse. Nous t en faisons serment. CELLINI, CHOEUR Sans délai ma / la statue Demain sera fondue Comme ce sac d argent. Nous en faisons serment. Oui! ASCANIO Mes amis, maintenant Ma conscience est nette. Payez donc votre dette; Mon argent, le voilà. CELLINI (vidant le sac) Comment! rien que cela? FRANCESCO, BERNARDINO Ah! la chétive somme! ASCANIO C est un si vilain homme que ce vieux trésorier! CELLINI (appelant) Qu importe... Sommelier!... Sommelier! (contrefaisant la voix du cabaretier) J acquitte ton mémoire... LE CABARETIER (prenant l argent) Merci, voulez-vous boire? LE CHOEUR Oui-dà, du vin... CELLINI Mais amis, plus de vin! (Le cabaretier s en va.) Mais que notre vengeance Frappe ce juif mesquin, Qui dans son arrogance Me traite en vrai faquin. LE CHOEUR Oui, vengeance, vengeance! Scène Onzième CELLINI (attirant ses amis à droite pour ne pas être entendu des garçons du cabaret qui desservent les tables) Écoutez tout à l heure Je sais que Balducci Quittera sa demeure Pour venir voir ici Les belles pasquinades Du maître Cassandro. Eh bien! chez Cassandro, Nous-mêmes, camarades, Dans de folles parades Drapons le Giacomo. LE CHOEUR Par Dieu! le rôle est beau. CELLINI Anathème, anathème Sur le visage blême Du seigneur Giacomo! LE CHOEUR Anathème, anathème Sur le visage blême Du seigneur Giacomo! Par Dieu! le rôle est beau, Faire rire tout Rome D un tel homme... Vite, vite chez Cassandro. TOUS (avec enthousiasme) Gloire à nous! Les métaux, ces fleurs souterraines Aux impérissables couleurs, Ne brillent qu au front des reines, Des rois, des papes, des grands-ducs et des empereurs. Honneur aux maîtres ciseleurs! (Ils entrent en courant chez Cassandro) Scène Douzième N° 9 - Récitatif FIERAMOSCA (qui a épié Cellini et ses amis de loin) C est trop fort! comploter à mon nez, sans pudeur, Et je les laisserais faire! Non pas... non pas... POMPEO (qui arrive par le fond) Eh bien, frère! Qu as-tu donc? FIERAMOSCA Ce que j ai? J étouffe de colère! Cellini... POMPEO (tranquillement) Qu a fait ce hâbleur? FIERAMOSCA (le serrant dans ses bras) Ah! Pompeo, mon ami, mon sauveur. POMPEO Ah! Je sais, l on m a dit. FIERAMOSCA Déjà? POMPEO La chose est claire, On t a rossé, cher fils! FIERAMOSCA Oui, mon cher Pompeo! Mais le pis est que Teresa et son père Viennent ce soir voir Cassandro. POMPEO Eh bien! quel mal? FIERAMOSCA Quel mal! ils vont sur le tréteau, Les traîtres, amuser le seigneur Giacomo Pour lui donner le change; Et lorsque le canon, tiré du fort Saint-Ange Dans nos mains soufflera les moccoli* soudain Un moine blanc, suivi d un capucin, Doit enlever Teresa, ma maîtresse... (Moccoli petites bougies que le mardi gras, à Rome, les masques portent et éteignent en se poursuivant, jusqu au moment où le canon du fort Saint-Ange annonce la fin du carnaval) POMPEO (enthousiasmé) Ah! bravo! FIERAMOSCA Quoi! bravo?... ce moine est Cellini. Ce capucin, c est son ami, Ascanio... POMPEO Je vois bien... Bravo!... vive l adresse! FIERAMOSCA Que je m expose ou non à quelque affront nouveau, Moi, je vais avertir le seigneur Giacomo. Nous verrons s il dira bravo! POMPEO (le retenant) Imbécile! FIERAMOSCA Vraiment? POMPEO Misérable cerveau! Puisque tu sais son stratagème, Trompe le trompeur même, Vole-lui son plan. FIERAMOSCA Mais comment? POMPEO Viens le premier toi-même en moine blanc, Et puis enlève... FIERAMOSCA Oui, la chose est facile; Mais s il me voit, le spadassin Va me tomber dessus. POMPEO Per Bacco! sois tranquille! Ne serais-je pas là moi-même en capucin? Je suis un ferrailleur s il est un spadassin. FIERAMOSCA (réfléchissant) Allons, allons, c est bien. N° 10 - Air Ah! qui pourrait me résister? Suis-je pas né pour la bataille? Malheur à qui m ose irriter! Malheur surtout à qui me raille! Le moulinet est bientôt fait, En quarte, en tierce, Toujours je perce. Vive l escrime! c est mon fort. Ô Teresa! pour toi mon âme Brûle des feux les plus ardents; C est un volcan toujours en flamme, Un Vésuve aux bonds effrayants. Je t aime tant que pour te plaire, J irais, je crois, faire la guerre A l enfer, à ses habitants; J irais même jusqu à combattre Ce malandrin de Cellini. Le malheureux!... cent comme lui Ne pourraient pas encor m abattre. Non, rien ne peut me résister, etc. (Il simule un combat à l épée) Une, deux, trois; une, deux; une... mort! Sans pitié je perce son cœur, Je suis vainqueur! N° 11 - Récitatif POMPEO Viens, le temps passe. FIERAMOSCA Cher Pompeo, que je t embrasse! POMPEO Prenons un froc et ne crains rien, Tout ira bien. (Ils sortent.) Scène Treizième N° 12 - Final (Le théâtre de Cassandro s anime; deux baladins sonnent de la trompette à chaque coin; deux autres au milieu déroulent une immense affiche où se lisent ces mots "Le roi Midas ou les oreilles d âne, opéra-pantomime." Quelques masques et le peuple commencent à circuler sur la place. Entrent d abord Balducci et Teresa par la coulisse de gauche) BALDUCCI (donnant le bras à sa fille) Vous voyez, j espère, Que je suis bon père; Moi, juge sévère Des premiers acteurs, Je consens, ma chère, A voir pour vous plaire La farce grossière De ces bateleurs. (Il quitte le bras de sa fille et va lire l affiche de Cassandro) TERESA (sur l avant-scène, à part) Ah! que vais-je faire? Laisser mon vieux père Seul et dans les pleurs! (Elle va rejoindre son père dans le fond.) CELLINI, ASCANIO (l un en pénitent blanc, l autre en moine brun, arrivant par la coulisse de droite) Prudence et mystère, Moine blanc / Capucin mon frère. Laissons d abord faire Nos chers bateleurs; Puis à nous l affaire. Alors, cher beau-père, Va chez le notaire, Ne va pas ailleurs. (Cellini et Ascanio ont traversé la scène de droite à gauche. Teresa et son père redescendent à droite.) Ensemble TERESA Ah! que vais-je faire? Laisser mon vieux père Seul, et dans les pleurs! Mais bientôt, j espère, Viendra le notaire Calmer ses douleurs. BALDUCCI Vous voyez? j espère, Que je suis bon père, etc. ASCANIO, CELLINI Prudence et mystère, Moine blanc / Capucin mon frère, etc. (Ils se perdent tous les quatre dans la foule.) BOURGEOIS DE ROME De Cassandro la farce est prête, Il va jouer le roi Midas. Amis, bourgeois, ne partez pas, Nous sifflerons si sa barette Ne nous fait pas rire aux éclats. (Entrent des femmes et des jeunes garçons avec des cymbales et des tambours de basque à la main. Ils se disposent à danser le saltarello. Francesco, Bernardino et le chœur des bateleurs amis de Cellini paraissent sur la galerie du petit théâtre) CHOEUR DES BATELEURS Venez, venez, peuple de Rome, Venez entendre du nouveau. CHOEUR DU PEUPLE (sur la place et applaudissant les danseurs) Ah! ah! Bravo! bravo! bravo! bravo! LES BATELEURS Venez, venez, voir l habile homme, Il va monter sur le tréteau! LE PEUPLE Ah! ah! Bravo! bravo! bravo! bravo! LES BATELEURS Venez, venez, peuple de Rome, Venez entendre du nouveau. Venez, venez, voir l habile homme, Il va monter sur le tréteau. LE PEUPLE Mais déjà la foule Dans l ombre et la nuit Sur Rome déroule La joie et le bruit. Et l amour, l ivresse, Dans la ville en feux, Chassent la tristesse Des cœurs et des yeux. LES BATELEURS Venez, peuple de Rome, A l opéra nouveau. LE PEUPLE Ah! sonnez, trompettes, Sonnez, musettes, Sonnez, gais tambourins. LES BATELEURS Venez voir l habile homme, etc. LE PEUPLE Sonnez, trompettes, etc. LES BATELEURS Accourez, arlequins, Médecins et pasquins! LE PEUPLE Ah! vive la joie, Que l on s y noie! Buvons, chantons, dansons. LES BATELEURS Masques noirs, ventres ronds, Venez voir les bouffons. LE PEUPLE Ah! le carnaval Est un grand bal Où, rois et gueux, Tous sont heureux, etc. TERESA Ah! le carnaval Est un grand bal Où, rois et gueux Tous sont heureux. LES BATELEURS Sans nous la fête est incomplète, Messieurs, ne vous éloignez pas; Restez, restez, la farce est prête, Elle est digne du mardi-gras. Accourez tous! LES DANSEURS ET UNE PARTIE DU PEUPLE Maudit bavard, vieille trompette, Tes quolibets ne tentent pas, Sur ton tréteau, crie à tue-tête, Pour nous la danse a plus d appas. LES BATELEURS Accourez, accourez, Médecins et pasquins, Accourez, accourez! Ah! maudits danseurs! LE PEUPLE L amour et l ivresse Chassent la tristesse, etc. Le carnaval Est un grand bal, etc. (Le spectacle commence. Le rideau, qui cachait le fond du théâtre de Cassandro, se tire et laisse voir les acteurs. On voit un grand sac d argent couronné d une mitre papale et posé sur un trône. Au pied du trône le Trésorier du Pape semblable de costume et de visage à Balducci. Le peuple s assemble devant le théâtre. Balducci et sa fille louent un banc pour mieux voir la parade) Silence! silence! silence! Assez dansé! Cassandro commence. LES FEMMES Cassandro commence, Allons, allons! faisons silence. Ouverture de la Pantomime LE PEUPLE Ah! ah! Bravo! Voici le Saint-Père, Et voici son trésorier, le seigneur Balducci. BALDUCCI Ah! c est ainsi! Me mettre en scène, Moi, Balducci? TERESA Partons d ici. BALDUCCI Non, non, merci. Pour voir ceci Puisqu on m amène, Je verrai tout Jusqu au bout! Je veux au Pape Dire ce soir Comme on nous drape, Et comme on sape notre pouvoir. LE PEUPLE Paix donc là-bas! On n entend pas! Paix! on n entend pas La pantomime. CELLINI (reparaissant avec Ascanio, sur le devant de la scène, à gauche) Vois-tu Teresa? ASCANIO Elle est là-bas. FIERAMOSCA (en moine blanc, arrivant à droite, avec Pompeo en moine brun) Vois-tu Teresa? POMPEO Elle est là-bas. TERESA Ah! quel malaise! Quel embarras! LE PEUPLE On n entend pas La pantomime! paix donc là-bas. BALDUCCI Que je me taise? je ne veux pas. LES HOMMES DU PEUPLE Paix! paix! LES FEMMES Paix donc, là-bas! Faites silence! Chut! on commence, Faites silence! (Colombine vient annoncer que deux fameux chanteurs, Arlequin et Pierrot, vont se présenter devant leur juge et disputer la palme de chant. Le faux trésorier ordonne qu ils paraissent) Pantomime du roi Midas ou les oreilles d âne (Paraissent deux chanteurs, d abord Arlequin, une lyre à la main) UNE PARTIE DU PEUPLE Voici maître Arlequin, Premier ténor romain! (Puis Pierrot avec de longues oreilles d âne et une petite grosse caisse pendue au col) UNE AUTRE PARTIE DU PEUPLE Voilà Pierrot! c est un chanteur de la Toscane, Mais est-ce un homme ou bien un âne? LES FEMMES Faisons silence. Regardons bien Maître Arlequin. Faisons silence. LES HOMMES (impatientés et s adressant aux femmes) Paix! LES FEMMES (continuant plus bas) Regardons bien, Faisons silence. Ariette d Arlequin (Arlequin s accompagnant de la lyre chante une ariette d un caractère doux et tendre. Pendant cette romance le peuple continue de parler, et le faux trésorier bâille et s endort) Ensemble LES HOMMES DU PEUPLE Bien, bien, bien C est très bien, Paix donc... LES FEMMES Regardons bien Maître Arlequin; C est un fameux ténor romain! Regardons bien. TOUS Ah! bravo, comme il chante, Ah! quel gosier divin! Comme il déroule Son chapelet; Comme il roucoule Pour un muet. Cavatine de Pierrot (Pierrot chante à son tour en s accompagnant de la grosse caisse. Pendant ce morceau lourd et trivial le peuple observe le plus profond silence, et le faux trésorier ravi se pâme d aise et bat la mesure à contretemps) QUELQUES HOMMES DU PEUPLE (montrant le faux trésorier) Il plaît fort au vieil homme Vois donc comme Il se tord. BALDUCCI C est trop fort! AUTRE PARTIE DU PEUPLE Vois donc le vieux, Est-il heureux! En vérité, Ô Dieu! Félicité! Ah! ah! quel butor! ah! ah! (Lorsque Pierrot a eu fini de chanter, Arlequin se présente pour recevoir le prix de chant. Après quelques gestes de mépris, le faux trésorier plonge lentement la main dans le sac et en tire un écu qu il donne à Arlequin. Pierrot se présente à son tour. Le juge enthousiasmé plonge à plusieurs reprises la main dans le sac et en tire des poignées d or qu il donne à Pierrot) LE PEUPLE Soyez surpris S il a le prix, Son juge a des oreilles Toutes pareilles. BALDUCCI Marauds! TERESA Chut! vos cris Redoublent les ris. (Le faux trésorier met sur la tête de Pierrot une couronne de lauriers. Arlequin, mécontent, prend sa batte et rosse son rival et le distributeur des grâces. Colombine en vain s y oppose) LE PEUPLE Bravo! BALDUCCI Marauds, se rire ainsi de moi! LE PEUPLE Midas! BALDUCCI (furieux, s élançant, armé de sa canne, sur le théâtre de Cassandro) Attends, c est fait de toi! LE PEUPLE Après la comédie Voici la tragédie. Vive le carnaval! L original Auprès de la copie Nous allons voir quel est De vous deux le plus laid. (Tous les spectateurs s avancent vivement vers le fond de la scène comme pour voir le résultat de la lutte engagée entre Balducci et les bateleurs. Cri général. A ce moment la nuit tombe. Les moccoli apparaissent. La rue et la place s illuminent à la clarté d une foule de petites bougies portées par les masques qui les soufflent et les rallument en se poursuivant.) FIERAMOSCA (à Pompeo, sur le devant de la scène) Viens, pas à pas, Fendons la presse, Offrons le bras a ma maîtresse. CELLINI (à Ascanio, sur le devant de la scène) Viens, pas à pas Fendons la presse, Offrons le bras a ma maîtresse. TERESA (sur le devant de la scène au milieu, et dans la surprise) Un moine blanc!... c est Cellini! Que vois-je? un autre ici! Deux capucins... FIERAMOSCA (d un côté) C est moi! CELLINI (de l autre) C est moi! TERESA Dieu! lequel est-ce? LE CHOEUR DES MASQUES (se poursuivant) Moccolo, moccoli! FIERAMOSCA, CELLINI C est moi! Prenez mon bras! LE CHOEUR DES MASQUES Moccolo, moccoli! A mort le moccolo! CELLINI Quoi! par l enfer et mon patron; Un autre moine... ah! trahison! POMPEO (à Fieramosca) Va, ne crains rien, marche quand même. FIERAMOSCA Ah! maudit froc, sot stratagème! POMPEO Tiens bon! ASCANIO Vengeons-nous de la trahison. POMPEO Tiens bon, tiens bon. Va, ne crains rien. CELLINI (tirant son épée) Qui que tu sois, homme ou démon, C est fait de toi. FIERAMOSCA Pompeo! à moi! Vite en avant. ASCANIO (recourant après Fieramosca) Attends, toi qui prends le devant! TERESA Ciel, au secours! qu on les arrête! LE PEUPLE (les retenant) Mais êtes-vous fous, un jour de fête? Vous avez donc perdu la tête? (Ascanio combat contre Fieramosca et Cellini combat contre Pompéo) CELLINI (se dégageant) Non, je n ai pas perdu la tête, Non. TERESA Au nom du ciel qu on les arrête! FIERAMOSCA (reculant devant l épée d Ascanio) A mon secours! POMPEO (combattant) Tiens bon! (Fieramosca se sauve) CELLINI (pressant plus vivement Pompeo) Non, non... FIERAMOSCA (se sauvant, poursuivi par Ascanio) A mon secours! CELLINI Non!... non!... (Il perce Pompeo.) POMPEO (tombant) Ah! je suis mort! (Tous les porteurs de moccoli s arrêtent et se groupent autour de Pompeo, étendu par terre.) LE PEUPLE Un homme mort! vite à la garde... Un mort! BALDUCCI (revenant sur le devant de la scène à droite, sans canne et les habits en désordre) Un meurtrier... ma fille... un mort! FIERAMOSCA (reparaissant à gauche, toujours poursuivi par Ascanio) A mon secours!... Pomp... mort! LE PEUPLE (montrant Cellini) Oui... c est ce moine... oui... qu on l arrête, Son arme brille et fume encor. (Des sbires arrêtent Cellini.) CELLINI Je suis perdu! FIERAMOSCA Je suis sauvé! ASCANIO Mon pauvre maître! FRANCESCO, BERNARDINO Le maître est pris! FIERAMOSCA On tient le traître! BALDUCCI, FRANCESCO, LES BATELEURS Ah! maudite nuit! CELLINI, TERESA Cruel destin! LES FEMMES Un si bel homme! LES HOMMES Ah! quel coquin! CELLINI Maudite nuit! TOUS Ah! (Les élèves et amis de Cellini feignent de partager l indignation générale.) FRANCESCO, BERNARDINO, BALDUCCI FIERAMOSCA, LE PEUPLE Assassiner un capucin!... Un camaldule, ah! c est infâme! C est un brigand de l Apennin; C était l amant de quelque femme; Soldats, gardez bien l assassin! C est la vendetta, c est certain. TERESA Ah! pauvre femme, Pour moi seule il s est perdu. Infâme, lâches drôles! Le traiter comme un assassin. CELLINI Ah! terrible nuit, ô sort maudit! Lâches, drôles, Me traiter comme un assassin. ASCANIO Ah! mon cher maître! c est infâme! Le traiter comme un assassin. FIERAMOSCA C est un infâme assassin! Le traître est pris enfin! (Tout à coup le canon du fort Saint-Ange tonne; à ce signal, toutes les lumières portées par les masques s éteignent subitement, et une obscurité profonde envahit la place) CELLINI A moi, mes amis, A moi, je suis pris! (Les amis de Cellini profitent de la nuit pour s élancer sur les gardes. Leur mouvement soudain met la confusion dans le peuple. Cellini se dégage et se sauve) LE PEUPLE On n y voit pas! BALDUCCI, FIERAMOSCA UNE PARTIE DU CHOEUR Gardes, tenez-vous l homme? LES SBIRES A nous, bourgeois! LE PEUPLE A nous, soldats! TERESA, ASCANIO, AMIS DE CELLINI Il a disparu. FIERAMOSCA, BALDUCCI Maudit canon! le drôle était saisi. Ensemble BALDUCCI, FIERAMOSCA, LE PEUPLE Maudit canon du fort Saint-Ange, Pour que la langue te démange, Par Dieu! l instant est bien choisi; Sans toi le drôle était saisi. TERESA, ASCANIO, FRANCESCO BERNARDINO, ÉLÈVES DE CELLINI Ah! cher canon du fort Saint-Ange, Pour que le jour en nuit se change, Merci! l instant est bien choisi; Car les soldats l avaient saisi. BALDUCCI (cherchant sa fille) Teresa! TERESA Mon père! ASCANIO (reconnaissant Teresa) Chut! prenez mon bras. Venez, je vais guider vos pas. (Ascanio donne son bras à Teresa et l emmène en cherchant à éviter Fieramosca et Balducci.) Ensemble LE PEUPLE, LES AMIS DE CELLINI Au meurtre! ah, Dieu! l on nous assomme! A l aide! au meurtre! quel horrible fracas! Maudit canon! on tenait l homme! Il était pris. Ah, quel chaos! La foule augmente! on n y voit pas! Le drôle s échappe, On ne l attrapera pas. BALDUCCI Teresa, Teresa! ma fille! quel fracas! Je n y vois pas. FIERAMOSCA Maudit canon! Ah! trahison! Il était pris, à l aide! au meurtre! Ah, quel fracas! Ah! le drôle s échappe... on n y voit pas. TERESA, ASCANIO Ah, quel horrible fracas! On ne l attrapera pas. Ah, quel chaos! Grand Dieu, Quel horrible fracas! TOUS Ah! maudit / cher canon, etc. Ah! quel chaos et quel fracas! La foule augmente, etc. BALDUCCI (se heurtant contre Fieramosca) Le moine blanc! FIERAMOSCA Quoi! BALDUCCI (criant) Ah! Je tiens l homme. FIERAMOSCA Êtes-vous fou? LES SBIRES Bien, bien... nous venons. BALDUCCI Gardez-le bien. LES SBIRES Oui, oui, merci. BALDUCCI Teresa! LE PEUPLE Le gueux, c est lui! LES ÉLÈVES DE CELLINI Bon, c est Fieramosca! FIERAMOSCA Je ne suis pas... LES SBIRES, LE PEUPLE Si... si... Vite, marchons... FIERAMOSCA Vous me prenez pour... LES SBIRES, LE PEUPLE L homme... Oui! oui! c est bon. FIERAMOSCA Mais je me nomme Fieramosca, vous dis-je. LES SBIRES En prison, vite, en prison! BALDUCCI (appelant toujours) Teresa! VOIX DIVERSES (partant de tous les coins de la place) Il est pris! FIERAMOSCA Je suis Fieramosca, vous dis-je. Ensemble UNE PARTIE DU PEUPLE, TERESA ASCANIO, FRANCESCO Ah! scélérat, vil assassin, Vieux renégat, Nous saurons bien te faire pendre. Va, tu n échapperas pas. UNE AUTRE PARTIE DU PEUPLE, BERNARDINO, BALDUCCI Assassiner un capucin la nuit des cendres! Nous saurons bien te faire pendre. Va, tu n échapperas pas. FIERAMOSCA M emprisonner, me caserner! Veuillez m entendre, Je suis bon citoyen. Me faire pendre, moi... moi... Fieramosca. TOUS Ô Dieu! de l air! j étouffe! de grâce! Eh! eh! place! Nous n en sortirons pas. BALDUCCI (appelant toujours sa fille) Ma fille! Teresa!... je ne l aperçois pas. TERESA, ASCANIO Allons, partons. Ah! ne me quittez pas. FIERAMOSCA (faisant des efforts pour dégager son cou de la main des sbires) Ah, Dieu! j étouffe. Ah! ne m étranglez pas! TOUS Grand Dieu! la foule augmente! Vous m écrasez, Quelle tourmente! Nous n en sortirons pas! Ah, quel chaos, quel embarras! Ah, quel fracas! Berlioz,Hector/Benvenuto Cellini/II-1
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Scarlet-Gletscher大皇国は箱庭海(13,10)に位置する国家 国家名称 Scarlet-Gletscher大皇国 皇帝名称 Stahl皇帝 総帥名称 帰宅部委員長総帥 首都 グラン・ザール 通貨 円or＄ 公用語 日本語 政治体制 絶対君主制 議会制 貴族院 建国 T7000程度(朧げ) 国教 仏教(儒教) 歴史 我が国家の形成において多大な影響を与えたのは火焔皇国である． 火焔皇国とはかつて大陸に存在した一大国家であり，様々な面において優秀な技術を保有していた． その傘下にあったのが我が島であり，この島は一時期火焔皇国の名を使用していたが，それは属領であった為に他ならない． かつて帰宅部委員長総帥も火焔皇国に随身していたが，専門家の研究ではそれは火焔皇国の技術を入手する為であったと推測されている． その火焔皇国が大陸にて衰退の色を見せ始めた頃，帰宅部委員長総帥は叛旗を翻した． 即ち，近衛兵のみならず人民の総力を結集したクーデターである．我々はこれを独立戦争と呼称している． 島に駐屯していた火焔皇国の軍勢は瞬く間に蹴散らされ，ここに帰宅部委員長総帥はKaiserreich of Glanzender宣言を行った． その後火焔皇国は島に大海軍を幾度となく派遣したが，小寺海軍軍令部総長や長坂空軍総参謀長の活躍に依り攻撃が本土に届くことはなかった． そして火焔皇国の攻撃が止み島との国交が回復すると，総帥はScarlet-Gletscher大皇国の誕生を宣言した． 初代皇帝はStahlでありこの時初めて島に皇帝が誕生した．
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Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Visualisierung von Umweltdaten 1992. 3. Workshop, Schloss Zell an der Pram, 9.-11. Dezember 1992 Springer-Verlag GmbH? Ralf Denzer? Gerald Schimak? Werner Haas? Springer-VerlagGmbH? RalfDenzer? GeraldSchimak? WernerHaas? ジャンル別? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Outdoors&Nature-Environment-EnvironmentalScience 洋書
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Phytocartographical Synthesis of the Czech Republic Academia? Bohumil Slavik? Academia? BohumilSlavik? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-BiologicalSciences-Botany-General? Checklist of the Metazoan Parasites of Fishes of the Czech Republic and the Slovak Republic, 1873-2000 Academia? Frantisek Moravec? Academia? FrantisekMoravec? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-Entomology? The Geometry of the Word Problem for Finitely Generated Groups (Advanced Courses in Mathematics - Crm Barcelona) Birkhauser? Noel Brady? Tim Riley? Hamish Short? Birkhauser? NoelBrady? TimRiley? HamishShort? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Combinatorics? 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Parametric Optimization And Related Topics V Proceedings Of The International Conference On Parametric Optimization And Related Topics V, Tokyo (japan), October 6-10, 1997 Peter Lang Pub Inc? International Conference on Parametric Optimization and Related topics? International Conference on Parametric O? PeterLangPubInc? InternationalConferenceonParametricOptimizationandRelatedtopics? InternationalConferenceonParametricO? ユーズドブック(洋書)-Science? Subjects-Science-General Complete Works of Charles-francois Sturm Birkhauser (Architectural)? Jean-claude Pont? Birkhauser(Architectural)? Jean-claudePont? Subjects-Nonfiction-ForeignLanguageNonfiction-French? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Mathematics-General? Computational Earthquake Physics Simulations, Analysis and Infrastructure (Pageoph Topical Volumes) Birkhauser (Architectural)? Xiang-Chu Yin? Peter Mora? Andrea Donnellan? Mitsuhiru Matsu ura? Birkhauser(Architectural)? 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